109

Samella Lewis

(1923-2022)

Dancing figures, 1968

Oil on canvas
Signed and dated lower left: S. Lewis / '68; signed again and inscribed "SUC-Plattsburgh, N.Y." on the stretcher bar; indistinctly signed again, inscribed and titled "And They Were ***" on a label affixed to the stretcher bar
40" H x 51.75" W

  • Provenance:
    Ankrum Gallery, Los Angeles, CA
    Private Collection, Glendale, CA

    Other notes:
    Samella Lewis was a pioneering African American artist, art historian, curator, and educator whose work greatly influenced the understanding and appreciation of African American art. She is considered the "Godmother of African American Art."

    Born in New Orleans, Louisiana, Lewis grew up in Ponchatoula in segregated Louisiana, where her passion for art emerged early. She started her undergraduate degree at Dillard University in 1941 where she was instructed by Elizabeth Catlett. Encouraged by Catlett, Lewis transferred to Hampton Institute in Virginia where she earned her B.A. in 1945 and did work toward a master's degree. Transferring to Ohio State University, Lewis earned her M.A. in 1948 and was the first African American woman to receive her doctorate in fine art and art history in 1951. Her academic achievements laid the groundwork for a lifetime dedicated to expanding the visibility of Black artists in American art history.

    Lewis taught at a number of institutions during her career including Florida A&M University; California State University, Long Beach; Scripps College; Claremont Graduate University and State University College of New York at Plattsburgh, where the present painting was executed in 1968. Lewis was in Florida from 1953 to 1958, where she was an active member of the National Association for the Advancement of Colored People (NAACP). Her prominence and outspoken activism made her a public target, and she was accused of being a Communist and was on the radar of the Ku Klux Klan who shot out windows of her home. Moving to the predominantly white community of Plattsburgh in 1958, she was undaunted and founded a chapter of the NAACP. Despite enjoying the progressive curriculum that Plattsburgh offered, Lewis eventually relocated to Southern California, so her children could experience a more multicultural population.

    Lewis was not only a talented visual artist but also a tireless advocate for cultural equity. In the 1960s and 1970s, she helped establish institutions and publications that amplified the voices of Black artists, most notably "Black Art: An International Quarterly" (now called "International Review of African American Art"), which she founded in 1976. She also authored several influential texts, including "Art: African American," which became a foundational resource in African American art history. Her work was instrumental in legitimizing Black art within mainstream academic and museum circles.

    Throughout her career, Lewis combined artistry with activism, using her work and scholarship to confront racism and social injustice. Lewis co-founded the Museum of African American Art in Los Angeles in 1976. Lewis's legacy continues to inspire new generations of artists and scholars, reminding the world of the power of representation and the enduring impact of cultural preservation. She remains a towering figure in the narrative of American art.
  • Condition: Visual: Overall good appearance. A 1.25" H x 0.5" W pigment loss near the upper right corner. A soft pressure mark with an attendant 0.625" W thin band of pigment loss in the right portion of the extreme lower edge. An approximately 3" diameter pressure mark and a few scattered pea-sized pressure marks in the upper right quadrant, primarily visible in raking light and from the verso.

    Blacklight: No evidence of restoration.

    Frame: 40.75" H x 52.5" W x 2.5" D


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June 17, 2025 12:00 PM PDT
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