108

Richard Mayhew

(1924-2024)

"This Morning," 2007

Oil on canvas
Faintly signed and dated lower left: Mayhew 07; titled and dated in ink, in another hand, on the frame's backing paper
22" H x 28" W

  • Provenance:
    Triton Museum of Art, Santa Clara, CA
  • Exhibited:
    Santa Clara, CA, Triton Museum of Art, "Landscapes: Rural and Urban Realities," July 7-September 30, 2007

    Other notes:
    This lot is accompanied by a PDF brochure for the above-mentioned exhibition.

    Richard Mayhew was an acclaimed African American painter and illustrator known for his vibrant, dreamlike "Neo-Barbizon" landscapes that explore themes of identity, memory, and cultural heritage.

    Born on Long Island in Amityville, New York in 1924, Mayhew was of mixed African American and Native American (Shinnecock and Cherokee) heritage. These cultural roots deeply influenced his artistic vision, imbuing his work with a spiritual connection to nature and land. Mayhew credits his grandmother with supporting his interest in drawing, and browsing through "Apollo Magazines" at her house was Mayhew's earliest source inspiration. His mother also took him to museums in New York where he first saw the work of George Inness, who was a lifelong influence. As a child, Mayhew first encountered professional artists during their summer painting retreats along the Long Island shore. James Willson Peale, a landscape painter and medical illustrator, in particular, took an interest in Mayhew and encouraged him to paint. Parallel to art, Mayhew's interest in jazz and performing arts was significant early in the artist's career and he performed at small jazz clubs and the Borscht Belt of the Catskill Mountains in the 1940s and early 1950s before focusing completely on painting.

    Mayhew worked as a china decorator in New York in the late 1940s where he met his first wife, artist Dorothy Zuccarini. Mayhew's formal art education began at the Art Students League in New York under Edwin Dickinson. He attended the Brooklyn Museum of Art school between 1948 and 1959 studying with Reuben Tam, and attended classes at Columbia University. In 1958, Mayhew won the prestigious John Hay Whitney Fellowship that enabled him to studied in Europe, where he was exposed to classical techniques and the evolving modernist movements of the mid-20th century.

    Mayhew rose to prominence in the 1960s as part of the politically engaged Black artist collective "Spiral," which was co-founded by Romare Bearden and Norman Lewis during the height of the Civil Rights Movement. Although "Spiral" focused on addressing the role of African American artists in society, Mayhew's work stood out for its abstract, non-figurative approach. Rather than depicting overtly political subjects, he expressed cultural and emotional depth through color, form, and atmosphere. His luminous landscapes, often titled with poetic and spiritual overtones, serve as metaphors for the African American experience and his own introspective journey.

    Over the decades, Mayhew taught at prestigious institutions such as Pennsylvania State University and has received numerous accolades for his contributions to American art. His work is held in major museum collections, including the Smithsonian American Art Museum and the Whitney Museum of American Art. Mayhew is celebrated for his unique ability to convey the intangible concepts of emotion, memory, and spirit through his masterful use of color and abstract landscape. His legacy is that of a trailblazer who expanded the possibilities of African American art beyond traditional representation.
  • Condition: Visual: Overall good appearance. A 0.25" area of unstable pigment with an attendant rice-sized pigment loss in the lower portion of the extreme right edge.

    Blacklight: No evidence of restoration.

    Frame: 23" H x 29" W x 2" D


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June 17, 2025 12:00 PM PDT
Monrovia, CA, US

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