1225

Paul Jacoulet

1902-1960

"Retour de la Jungle. Tondano: Celebes," 1948

Woodcut in colors with embossing on handmade mulberry paper, watermark the artist's initials
From the total edition of fewer than 300 impressions
Signed in pencil above the artist's red ink sparrow stamp in the image at right: Paul Jacoulet; the title printed in the lower margin, at right; stamp numbered 178/350 in red ink number; with the black ink stamps of both the carver, Kentaro Maeda, and the printer,Tetsunosuke Honda, in the lower portion of the right margin
Image: 15.5" H x 11.75" W; Sheet: 18.3755" H x 14.5" W

  • Literature: Miles 90
  • Notes: According to Richard Miles, "...Jacoulet's numbering system was eccentric at best....Existence of an edition does not mean that the edition was printed in full, and in most cases many fewer were pulled. It was Jacoulet's practice to print only what he expected to sell, or had already sold, to subscribers....In addition, he tried not to duplicate numbers, and largely succeeded. Therefore, in [a hypothetical example], although a print stamped 290/350 is known to exist, there are fewer than 100 actual impressions with the edition of 350 stamp, because 200 of the earlier numbers were used up in the edition of 150 and 250. Even the edition of 150, of which number 150/150 is known, may have existed in fewer impression, because Jacoulet started printing some editions of 250 before completing the first printing....It goes without saying that many of the pre-war prints that did not leave Japan prior to 1941 are no longer in existence, and in many cases the delicate vegetable pigments have faded."

    For this particular image, Miles states that the total print run included fewer than 90 impressions numbered out of 150, fewer than 160 numbered out of 250, and fewer than 50 numbered out of 350. In addition to the elaborate embossing added to the head covering of the figure at lower left, Miles says that Jacoulet enhanced each of the figures' lips by mixing a very fine coral powder with the ink used for that feature.
  • Condition: Overall good condition. The sheet with full margins, deckled on three sides. The usual rectangular notch out of the lower right margin corner for alignment of the various colored blocks. Minor surface soiling and mat staining showing in the margins and on the reverse. Two pinholes near the edge of the left margin. The sheet is loose, attached to the back mat with small pieces of linen tape at the tips of the upper margin corners.

    Framed under Plexiglas: 21" H x 17" W x 1.5" D
    .


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