Provenance: Provenance: Private Collection, Orange County, CA
Literature: Literature: H. McCracken, ''The Frank Tenney Johnson Book: A Master Painter of the Old West'', Doubleday and Co., New York, NY, 1974, p. 171, no. 719, as oil study for 'Dust Stained Riders'
Notes: Note: There is a label affixed to the stretcher stating 'This picture I authenticate as having been painted by F. Tenney Johnson, N.A.' signed by W.P. Krehm and Frank Panter. William P. Krehm worked as a framer for the Biltmore Art Salon in the Ambassdor Hotel, Los Angeles, of which Johnson was a founding member, in the 1930s. He continued his friendship with Mrs. Johnson after Johnson died in 1939 and in the 1940s he helped her clean out the artist's studio and repair and restore the paintings and their frames. In partial payment for services, Mrs. Johnson gave Krehm 72 field sketches by the artist including the present work. Copies of a letter from Krehm describing his relationship with the Johnsons dated April 26, 1963 and another statement dated April 23, 1968 signed by Frank Panter accompany the lot. In addition, a copy of a letter dated August 12, 1963 from the artist James Swinnerton to William Riffle, one of the purchasers of the sketches from Krehm, accompanies the lot. Swinnerton writes: I am sincerely pleased to find that you have become the owner of these original field sketches of Frank Tenney Johnson's. Frank and myself used to agree that the field sketches had the quality of ''feeling'' of the subject that was somewhat missing in the following finished painting which followed it or them -- I knew of these sketches of his that ''Vinnie'' (Frank's wife) had turned over to Bill Krehm and wondered what he was going to do with them and now, I find you have obtained them -- They should be shown especially now in the way art is gathering interest of so many persons. Again - I congratulate you on unveiling them. Sincerely your friend, Jim Swinnerton
Condition: Visual: Paint losses in the right center quadrant, upper left quadrant and on the horses. Areas of unstable craquelure with some losses in the lower left quadrant and on the figure in the center. Blacklight: A few spots of touch-up to address losses in the lower left quadrant.