171

Edward Ruscha (b. 1937)

A group of softcover artist's books, mid-20th century
Five works:

Ruscha, Edward. "Twentysix Gasoline Stations." Alhambra: The Cunningham Press, 1969
Third Edition of 3,000
7" H x 5.5" W x 0.25" D

Ruscha, Edward. "Nine Swimming Pools (and a Broken Glass)." Los Angeles: Edward Ruscha, 1968
First Edition of 2,400
7" H x 5.5" W x 0.25" D

Ruscha, Edward. "Real Estate Opportunities." Los Angeles: Edward Ruscha, 1970
First Edition of 4,000
7" H x 5.5" W x 0.25" D

Ruscha, Edward. "Some Los Angeles Apartments." Los Angeles: Anderson, Ritchie & Simon, 1970
Second Edition of 3,000
7" H x 5.5" W x 0.25" D

Ruscha, Edward and Art Alanis (photographs). "Thirtyfour Parking Lots (in Los Angeles)." Los Angeles: Edward Ruscha, 1967
First Edition of 2314
10" H x 8" W x 0.125"

5 pieces

  • Notes:
    Ed Ruscha never considered himself a photographer, as he stated in his conversation "I'm Not Really a Photographer" with A.D. Coleman. As such, his photobook projects are not traditional displays of photographic work. Instead, Ruscha focuses on the concept of the book as an object. The "contrived" concept precedes the photographic process, guiding him to find the right images to complete the final product.

    Since the publication of his first book, "Twentysix Gasoline Stations," in 1963, Ruscha's style and approach have influenced, been borrowed by, and even parodied by many other artists over the past six decades. Enigmatic and groundbreaking, his photobooks redefined artistic practices by blending the arbitrary with the seemingly mundane. Using minimalist typesetting, Ruscha confounds the beholder with concepts that are objective, setting-based, stagnant, or temporal.

    It is no surprise that these books have become essential items for collectors across all artistic mediums.
  • Condition: Each overall good condition with minor shelf wear, very minor bumping to corners, and tanning to spines commensurate with age. 'Apartments' and 'Lots' with sticker applied to first endpaper recto: Pasadena Art Museum. 'Apartments' with two tears and attendant losses to glassine jacket. 'Stations' lacking glassine jacket. 'Lots' with tears along upper edge of glassine jacket.

    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

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February 25, 2025 12:00 PM PST
Monrovia, CA, US

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