74

Alson Skinner Clark

1876-1949

California landscape

Oil on canvas
Signed and dated lower left: Alson Clark; inscribed lower left: To Graham
26" H x 32" W

  • Notes: Alson Skinner Clark was born in Chicago, Illinois on May 25, 1876, and grew up as the son of a commodities trader. At age 14 Clark enrolled at the Art Institute of Chicago and continued in New York City under William Merritt Chase and the Art Students League. In 1898 he travelled to Europe for two years, studying under the venerable American ex-pat, James McNeill Whistler in Paris. Returning to the U.S. in 1901, Clark lived in Watertown, New York, and in Chicago, where he began exhibiting in the Art Institute of Chicago's annual shows.

    In 1902, Alson married Atta Medora McMullin, who often appears in his oils as a model. Based in Paris at this time, he and Medora travelled throughout Europe painting extensively in Brittany and Italy. Under the spell of French influence, his paintings from 1907 onward show the broken brushwork and strong outdoor color and light of impressionism that Clark is most associated with today. In addition to seeing his work juried into the prestigious Paris Salon exhibitions, Clark found exposure and strong sales in American venues ranging from the Louisiana Purchase Exposition (where he won a bronze medal), to the Society of American Artists' show, as well as the Art Institute's American art annuals. It was during 1913 that Alson Clark traveled to Panama to chronicle in a series of oils the massive undertaking of the Panama Canal construction.

    In 1920, Alson and Medora moved to Pasadena, CA, where the couple quickly immersed in the region's burgeoning art scene.  By the year 1921, Clark joined the faculty of the Stickney School of Fine Arts in Pasadena and soon thereafter he became its Director. From his California studio, Clark traveled widely often painting plein air with his friends and colleagues including Guy Rose, Lawton Parker and Frederick Frieseke.
  • Condition: Visual: Overall generally good condition. Dust accumulation commensurate with age. Fine stable craquelure throughout.

    Blacklight: No evidence of restoration.

    Frame: 30.5" H x 36.5" W x 1.75" D


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