141

Keith Haring

1958-1990

"Angel," 1987

Mixed media and collage on textured, sturdy, beige paper
Signed, dated '88, and inscribed "For Ollie" in pencil along the lower portion of the right edge: K. Haring; signed again and with a copyright symbol, dated Nov 7 '87, and inscribed "For Juan R," all in pencil on the verso; titled from the most recent document in a group that accompanies this work
Image: 22.5" H x 26.5" W; Sheet: 24" H x 28" W

  • Provenance: Oliver John Martin, Los Angeles, CA, purchased directly from the artist, 1988, (see pencil inscription mentioned above, "For Ollie")
    Journey House, a Non-Profit Organization, Pasadena, CA, acquired from the above, early 2019
    Property from a Private Collection, Duarte, CA, gifted from above, late 2019
  • Notes: This lot is accompanied by a "Certification, Release and Indemnity Agreement" between the Estate of Keith Haring, New York, NY, and a previous owner, dated July 2, 1998. There is also a certificate from the Estate of Keith Haring, dated August 18, 1998, with Identification number: 081898A14. The language of the document states the following: "It is the opinion of the Estate at this time that the Work is the work of Keith Haring." Lastly, there is an insurance document prepared by a Santa Monica, CA appraiser, dated January 2, 2020.

    Other Notes: Keith Haring, born in 1958, developed his uniquely animated artistic style from an early fascination with cartoon art from the likes of Walt Disney, Charles Schultz and Dr. Seuss. His own father, Allen Haring, was a hobby cartoonist apart from his career in engineering. The two would spend hours drawing together during Haring's formative years.

    In 1978, Haring moved to New York City and connected with other emerging artists such as Jean-Michel Basquiat and Andy Warhol, who greatly influenced his work throughout the duration of his career. With no gallery representation initially, Haring created his works as Street Art in the subways and streets of New York City. He then began making stand-alone works and would have his first solo exhibition by 1981.

    Working in a variety of mediums, in 1989 Haring debuted a series of paintings with gouache, ink, and collage photographs by photographer Herb Ritts. "Angel", appears to predate the series, dated 1987 and stands as a predecessor and one of the first examples of Keith's collages with photographs. The photograph in this particular work is by Steven Arnold, cut from his "Epiphanies Series", Arnold's photographs portrayed angels, high priests, harlequins, and other ornately costumed characters, meticulously arranged in highly imaginative settings, and Haring, expanded on this photograph with his own imaginative twist. Overall the work is both striking in subject matter and in size; the figures in the work are much more detailed and lifelike than Haring's more iconic two-dimensional figures, but ultimately the detail and imagery of the piece brings forth the gravitas of the AIDS crisis present during Haring's time in New York City. Even more haunting, it would be the following year, in 1988, that Keith Haring himself would be diagnosed with AIDS, marking this piece as a precursor to a major turning point in the artist's life.

    "Angel", originally dedicated to Juan R. in 1987, was then rededicated to Ollie, likely Oliver John Martin, an acquaintance of Haring's, who purchased the piece from the artist while visiting his studio in 1988. A Certification, Release and Indemnity Agreement from 1998, completed by Ollie's father, John Martin confirms its origins, paired with a Certificate from the Keith Haring Estate from later that same year.

    Over the years, this work has been known by a series of different titles. In the July 1998 document, Certification, Release and Indemnity Agreement, it was "The Black Man's Dream." In the August 1998 certificate from the Keith Haring Estate, it was "Untitled." In a January 2020 appraisal, it was "Angel."

    In 1990, three years after the creation of "Angel", Keith Haring passed away from AIDS-related complications. He was 31 years old.
  • Condition: Overall generally good condition. The full sheet with deckled edges. There is overall toning to the recto and verso of the sheet and well as occasional surface soiling and generally pale foxing. Two approximately 1.25" H x 0.5" W pale stains at the center of the upper and lower sheet edges, in each case extending just into the nearby section of the work's orange border. The work is loose, not mounted.

    Unframed


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November 21, 2023 12:00 PM PST
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