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Wharton Esherick (1887-1970)

A 'Hammer Handle' chair, circa 1938-1952
Unmarked
The wood frame with later faux leather seat banding and updated rope cording
32" H x 17.5" W x 19" D

  • Provenance:
    Gifted by the artist by repute to Christian Karl Flanders
    Inherited by descent to Annie Flanders
    Inherited by descent to current owner
  • Notes:
    Wharton Esherick (1887-1970) is widely regarded as the 'dean of American studio furniture' and a pioneering figure in the studio craft movement. Originally trained as a painter and printmaker, he turned to wood in the 1920s, treating it not merely as a utilitarian material but as a medium for artistic expression. His sculptural furniture broke from machine-driven aesthetics, celebrating the individuality of materials and the organic potential of form. With works that seamlessly bridged fine art and functional design, Esherick laid the groundwork for generations of studio furniture makers, influencing the hand-carved elegance of Sam Maloof and the organic modernism of Isamu Noguchi.

    Among Esherick's most iconic contributions in design are the 'Hammer Handle Chairs,' which he crafted between 1938 and 1952. Ingeniously assembled from salvaged hickory tool handles, the chairs embody both resourcefulness and sculptural rhythm, each handle locked into grooves with precision, producing a sturdy yet playful form, eventually incorporating woven seats. He continued refining and producing alternate versions of this chair, reworking the design with variations in the types of wood, form, and overall construction into the early 1950s.

    Esherick's connection with the Hedgerow Theater in Rose Valley, PA, was a key moment in his career. He began working with the theater in the 1930s, as many of his family members and friends were actors and creatives with the company. He created props, furniture, and woodcut prints. His work there were both functional and sculptural such as the 'Thunder Table.' The 'Hammer Handle Chairs,' and two spiral staircases. The theatre provided Esherick with a collaborative environment that influenced his work for decades to come.

    Adding a personal dimension to its history, the present example offered here is reputedly tied directly to Esherick's circle at Hedgerow Theatre. According to family tradition, the chair was given by Esherick to a close friend and actor at the theatre, who credited the artist as both mentor and inspiration for his later career in homebuilding. This provenance not only enriches the story of the piece but also underscores the communal, generative spirit that defined Esherick's practice, his influence extending far beyond his workshop into the lives and creative pursuits of those around him.

    Wharton Esherick's legacy is preserved at the Wharton Esherick Museum in Paoli, PA, his former home and studio, now designated a National Historic Landmark, and his work is held by major institutions including the Metropolitan Museum of Art, the Philadelphia Museum of Art, and the Museum of Fine Arts, Boston. Celebrated in exhibitions such as "Wharton Esherick and the Birth of the American Modern" (Philadelphia Museum of Art, 2011), his oeuvre affirms a lasting impact as both artist and innovator at the very foundation of American studio craft.
  • Condition: With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One leg with a 4" long wood filler repaired crack, vertically from foot. Rear bar of seat with a 1.75" x 0.75" older chipped loss, with scattered other small losses or crack at slat ends. Some joints with repaired junctures, with small losses. Uneven fading to finish throughout. Chair slightly shaken.

    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

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September 30, 2025 10:00 AM PDT
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