154

Wang Guangyi

(b. 1957)

"Warhol"

Oil on canvas
Signed and dated on a poster affixed to the frame's backing paper: Wang Guang Yi / 2011; also variously inscribed in Chinese characters, presumably including the artist's name, and with sketches of wine bottles, all on the same poster as already mentioned; titled as part of the image
26" H x 22" W

  • Provenance:
    The artist
    The Grace Family Collection, St. Helena, California

    Other notes:
    Wang Guangyi is a prominent contemporary Chinese artist best known for his role in the Political Pop art movement that emerged in the late 1980s when China was undergoing vast political, social, and cultural changes.

    Wang was born in 1957 in Harbin, China, into a working-class family, and trained at the Zhejiang Academy of Fine Arts, where he was deeply influenced by Western philosophy and Classicism. After graduating in 1984, Wang was a founding member of the Northern Art Group that promoted the concept of "Rational Painting," an analytical approach to artmaking known for a geometric visual language stripped of human emotion. In contrast to the expressive styles of many of his contemporary painters, Wang's series from this period, including "Frozen North Pole" and "Post-Classical," are austere depictions of geometric compositions, with Western Classical masterpieces appropriated into the latter series' imagery.

    His 1989 series of five paintings, "Mao Zedong: Red Grid," was the first time Wang received international acclaim. Appropriating iconic images of Mao superimposed with English letters on a red grid, this series is considered Wang's first Political Pop artworks and began a decades-long exploration of socialist iconography set against consumer culture.

    The artist's iconic "Great Criticism" series further politicized his imagery with juxtapositions of Chinese Communist propaganda with Western Pop Art and consumer brand logos and icons. Often compared to Andy Warhol or Robert Rauschenberg (both artists visited China in the 1980s), Wang's compositions create visual collisions between Communist ideologies and Capitalism and Globalization. Created in the 1990s and early 2000s, the series juxtaposes propaganda-style figures, often modeled after Cultural Revolution-era posters, with logos of global brands like Coca-Cola, Nike, and Pepsi. In these works, Wang exposes the parallels between political propaganda and advertising, suggesting that both rely on simplified messages and emotional manipulation to exert control. The series serves as a powerful commentary on the rapid transformation of Chinese society in the post-Mao era, reflecting on how ideological fervor has been replaced, or perhaps mirrored, by the forces of globalization and capitalism.

    Throughout his career, Wang has maintained a critical stance on the use of imagery and mass communication. His art invites viewers to reflect on how meaning is constructed through repetition and symbolism. By appropriating familiar visuals and altering their contexts, Wang exposes the mechanisms of control and persuasion behind both state and corporate messaging. Today, he remains a vital voice in the global contemporary art scene, representing a generation of Chinese artists who challenge and redefine cultural narratives.
  • Condition: Visual: Overall good appearance.

    Blacklight: No evidence of restoration.

    Frame: 27.5" H x 23.5" W x 1.75" D


    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

Accepted Forms of Payment:

ACH, American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

September 30, 2025 10:00 AM PDT
Monrovia, CA, US

John Moran Auctioneers

You agree to pay a buyer’s premium, as outlined below, and any applicable taxes and shipping.
Buyer's Premium
$0 - $1,000,000:
27.00%
$1,000,001 - $5,000,000:
21.00%
$5,000,001+:
15.00%

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $250
$5,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,500
$50,000 $99,999 $5,000
$100,000 $199,999 $10,000
$200,000 $499,999 $25,000
$500,000 $999,999 $50,000
$1,000,000 + $100,000