98

Virgil Williams (1830-1886 St. Helena, CA)

oil on canvas
13.5'' H x 18'' W

  • Provenance: Private Collection, Great Britain, acquired San Francisco, CA, 19th Century, by descent in the family; Private Collection, Scotland
  • Notes: Virgil Williams was one of the most important artists working in San Francisco in the third quarter of the 19th Century. Born in Maine, Williams began his artistic studies in New England and first travelled West at the invitation of Alfred Bierstadt in 1863. After further studies in Italy, Williams and his wife returned West to Northern California, stopping briefly in San Francisco in 1871, before moving to their preferred and more tranquil setting of Napa Valley. Living near Mount St. Helena offered Williams a rural environment where he could hunt and make studies from both life and death of the local wild animals as well as the surrounding landscape (R.N. Post, ''Virgil Williams'', Calistoga, CA, 1998, p. 44). When Williams returned to California in 1871, he reconnected with influential fellow artists Thomas Hill (1829-1908) and William Keith (1838-1911) and together they enjoyed sketching and exploring the local landscape. ''Hill and Virgil thoroughly enjoyed the wooded areas and sun-dappled streams occupied with numerous wildlife and fish, and the large white oak trees on Williams' land, which Hill thought were so beautiful in nature'' (R.N. Post, p. 44). The present painting was likely executed in this period when the artist returned to California and was renewed by the tranquil setting near Mount St. Helena. Williams captures the countryside before him in realistic tones of green and brown which touch on tonalism but stay true to the representational tradition the artist studied in Europe and from American painters. In 1872, Williams became one of the founders of the Bohemian Club and served as president from 1875-76. When Williams was unanimously chosen to be the first director and teacher of the newly opened California School of Design, he declined to continue as President of the Bohemian Club to focus on his academic role instead. In Williams' roles in education, at the Bohemian Club and as an artist, he influenced generations of landscape painters that came after him and remains one of the most significant California painters of the 19th century
  • Condition: Visual: Craquelure throughout. Stretcher bar creases along all four edges. Scattered spots of white residue throughout the painting. Frame abrasion upper right and lower left corner. Flecks of paint loss upper right corner. One small speck of paint loss lower left. Blacklight: Spots of scattered touch-up lower and upper right.

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October 22, 2013 6:30 PM PDT
Pasadena, CA, US

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