1040

Vaclav Vytlacil

(1892-1984)

Cubist musical composition, circa 1930s

Oil on canvasboard
Signed lower right: Vaclav Vytlacil
16" H x 20" W

  • Provenance: Other notes:
    Vaclav Vytlacil was born to Czechoslovakian parents in New York City in 1892. He grew up in Chicago and initially studied art at the School of the Art Institute of Chicago in 1906 before returning to New York. There, he attended the Art Students League on scholarship from 1913 to 1916 and studied under portrait painter John C. Johansen and Anders Zorn.

    After finishing his art studies at the League, Vytlacil took a teaching position at the Minneapolis School of Art, where he worked from 1916 to 1921. The position enabled him to travel extensively throughout Europe. In Paris, he studied the art of Paul Cezanne, and in Munich, Dresden, Prague, and Berlin, he sought exposure to Old Master Painters.

    After visiting relatives in Prague, Vytlacil settled in Munich and enrolled in Munich's Royal Academy of Art. There he met two other American artists, Ernst Thurn and Worth Ryder. Thurn introduced Vytlacil to the work of important abstractionist Hans Hofmann, and the two art students left the Academy to study with Hofmann, becoming some of the earliest American artists to do so. Vytlacil studied and worked as a teaching assistant to Hofmann from about 1922 to 1926, and together with Thurn, organized the Hofmann summer school on Capri beginning in 1924.

    Vytlacil returned briefly to the US in 1928, where he lectured at the University of California, Berkeley, on modern European art, and became a member of the Art Students League faculty. The following year, Vytlacil returned to Europe, where he would remain until 1935. In his six years back on the continent, the artist studied the works of Henri Matisse, Pablo Picasso, and Jean Dufy, while also successfully persuading Hofmann to teach at the Art Students League.

    Back in the US, Vytlacil co-founded the American Abstract Artists group in 1936 while continuing to teach at the League as well as Queens College in New York, Black Mountain College in North Carolina, and the College of Arts and Crafts in Oakland, CA. He divided his time between homes in New York and Chilmark, Massachusetts, where he was associated with the area's Old Sculpin Group, and he taught at the Martha's Vineyard Art Association beginning in 1941.

    Vytlacil rejoined the Arts Student League faculty in 1946 and remained there until his retirement in 1978. He exhibited regularly, including at Feigle Gallery in New York in 1951; a major retrospective exhibition at the Montclair Art Museum, New Jersey in 1975; The Carnegie Institute; Phillips Memorial Gallery; Krasner Gallery, University of Notre Dame; and Rochester Art Gallery, and his work is in several major US institutional collections. Vaclav Vytlacil died in 1984 at the age of 92.

    In paintings like the present work, Vytlacil's modernist style, particularly an understanding of the work of Cubist painters like Picasso that he had studied in Europe in the 1930s, is evident. Vytlacil plays with the notion of sound in a two-dimensional format of this musical composition as instruments and sheet music seemingly dance and move. The Cubist spatial fragmentation and reduction break from traditional perspectives to create a dynamic and expressively cohesive music-themed composition.
  • Condition: Visual: Overall good appearance.

    Blacklight: No evidence of restoration.

    Frame: 19.5" H x 23.375" W x 2" D


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