21

Salvador Dalí

(1904-1989)

"The Land Comes to Life," from the "Aliyah" portfolio, 1968

Lithograph in colors on wove paper
Edition: 29/250 (aside from the lettered edition A/J-Y/J, the Tirage edition of 275, an unknown number of "épreuve d'artiste" impressions, and "several sets for author, artist, publisher")
Signed and numbered in pencil in the lower margin: Dalí; Shorewood Press, New York, NY, pub.
Image: 22.25" H x 15.125" W; Sight: 24" H x 16" W

  • Provenance:
    Private collection, Brentwood, CA
    By family descent
  • Literature:
    Field 68-I T
    Michler Löpsinger 1212

    Other notes:
    Salvador Dalí, the renowned Spanish Surrealist, is celebrated for his eccentric imagination and striking visual language that extended far beyond painting into the realm of printmaking. Throughout his prolific career, Dalí embraced printmaking as a way to explore and disseminate his surrealist visions to a broader audience, producing hundreds of technically sophisticated etchings, lithographs, and wood engravings. His prints often mirrored the dreamlike, symbolic world found in his paintings, drawing on themes of religion, mythology, and psychoanalysis. Dalí's print work remains a significant part of his artistic legacy, blending fine craftsmanship with the bold, bizarre imagery that defined his unique vision.

    Salvador Dali's "Aliyah" suite of 25 color lithographs was commissioned in honor of the twentieth anniversary of the State of Israel's independence in 1968. Israeli Prime Minister David Ben-Gurion wrote in his letter of introduction to the portfolio, "The distinguished artist Salvador Dali has succeeded through the power of his great artistry in embodying in a number of prints the marvel of aliyah, which in a short time fashioned a renewed people, a renewed country, and a renewed as well as renewing State."

    Executed in Dalí's iconic Surrealist style, the images illustrate the ancient story of Jewish exile and the struggle, resettlement and ultimate celebration of the Jewish people upon their return to the land of Israel. Originally executed in gouache, the paintings were unveiled at the Gallery of Modern Art (Huntington Hartford Museum) in New York on April 1, 1968, before being converted into limited lithographic editions.
  • Condition: Overall good appearance. With margins. Not examined out of the frame.

    Framed under Plexiglas: 32.125" H x 25.375" W x 1.125" D


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