70

Roy Lichtenstein

1923-1997

"Haystack #4" from the "Haystack Series," 1969

Lithograph in colors and screenprint on wove paper
Edition: 28/100 (there were also 10 artist's proofs)
Signed, dated, and numbered in pencil, below the image, in the white screenprinted margins: rf Lichtenstein; Gemini G.E.L, Los Angeles, CA, prntr./ pub., and with their blindstamp at the lower right; with the Gemini ink stamp and workshop number in pencil, both verso: RL69-234
Image: 13.5" H x 23.5" W; Printed area/Sheet: 20.75" H x 30.75" W

  • Provenance: Gemini G.E.L., Los Angeles, CA
    The Marmor Family Collection, acquired from the above, August 14, 1969
  • Literature: Bianchini 33-D; Corlett 68; Gemini 153; NGA Gemini CR 31.12; RLCR 1662
  • Notes: In the dynamic landscape of art history, the legacy of one artist often intertwines with the creations of another, sometimes bridging centuries and styles. Such is the case with Roy Lichtenstein's iconic series of prints, the Haystacks, which serve as a contemporary homage to Claude Monet's groundbreaking series of paintings from the 1890s.

    At the dawn of the 20th century, Claude Monet, a pioneer of the Impressionist movement, embarked on a revolutionary artistic journey. His series of Haystacks paintings captured the transient beauty of rural landscapes under the ever-changing play of natural light. Across multiple canvases, Monet meticulously depicted the same subject—the humble haystack—under varying atmospheric conditions and times of day. Through his mastery of color and light, Monet transformed the ordinary into the extraordinary, inviting viewers to contemplate the ephemeral nature of perception and reality.

    Fast forward to the 1960s, a period marked by the rise of pop art and its subversion of traditional artistic conventions. Roy Lichtenstein, a leading figure in this movement, drew inspiration from the visual lexicon of mass culture. In his prints, Lichtenstein appropriated familiar images from comic strips, advertisements, and art history, infusing them with his distinct style characterized by bold lines and vibrant colors.

    One of Lichtenstein's most notable works within this vein is his series of Haystacks prints. What sets these pieces apart is Lichtenstein's ingenious use of Ben Day dots—a printing technique commonly associated with mass-produced publications such as newspapers and comic books. By employing this mechanical process, Lichtenstein not only pays homage to the pop culture imagery of his time but also engages in a playful dialogue with art historical tradition.

    In Lichtenstein's interpretation, the dot pattern serves as a clever nod to the halftone printing process, which is used to reproduce images with varying shades of gray. Through this technique, Lichtenstein replicates Monet's Haystacks in a stylized manner, simultaneously echoing and subverting the original Impressionist aesthetic. Moreover, by presenting the Haystacks in a serialized format, ranging from the luminous hues of morning to the deep shadows of midnight, Lichtenstein offers a modern take on Monet's exploration of light and color.

    In essence, Lichtenstein's Haystacks series encapsulates the essence of pop art—blurring the boundaries between high and low culture, challenging traditional notions of artistic originality, and inviting viewers to reconsider the significance of familiar imagery. By reimagining Monet's timeless masterpiece through the lens of contemporary mass production, Lichtenstein prompts us to reflect on the commodification of art and the ever-shifting landscape of cultural meaning. Through his inventive reinterpretation, Lichtenstein reaffirms the enduring relevance of Monet's legacy while simultaneously carving out his own place in the annals of art history.


    This lot is accompanied by a copy of the sales invoice and the original print documentation, both from Gemini G.E.L.
  • Condition: Overall good condition. The full sheet and the colors fresh. A pinhead-sized speck of grime towards the center of the white screenprinted margin. The sheet is framed floating, hinged to the back mat at the verso of the upper left and right sheet corners.

    Framed under Plexiglas: 22.5" H x 32.5" W x 1.5" D


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March 26, 2024 12:00 PM PDT
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