1066

René d'Harnoncourt (1901-1968), "Domingos Mexicanos (Mexican Sundays)," circa late 1920s

Eight works:

"Descano Dominical," "La Tia Aurelia," "La Tia Rosalia," "Alma Y Corazon," "La Orquesta de la Carpa," "La Titeres," and "Fin de Fiesta" from "Domingos Mexicanos"
Seven original watercolors hinged to various colored paper
Each: Unsigned; The seven original watercolors that are reproduced in "Domingos Mexicanos," are all contained in a brown paper folder with the hand-written ink title, "Domingos Mexicanos"

"Domingos Mexicanos (Mexican Sundays),"
The paper folio book of 10 reproductions of watercolor tableaus on paper, mounted from the verso of the upper sheet edge on the original blue-colored paper in the book
Edition: 105/300
With the printed title on a small sheet of red paper, affixed to the book cover, the original preface by Howard S. Phillips, and published by Frederick W. Davis, Mexico City, Mexico

  • Provenance: The Collection of Frederick W. Davis
    Private Collection, Southern California, by descent from the above
  • Notes: In 1926 René d'Harnoncourt moved to Mexico, and the following year began working for Frederick Davis at his antiquities and folk art shop in Mexico City. Davis was among the first to collect, display, and sell the work of emerging Mexican artists such as Diego Rivera, Jose Clemente Orozco, and Rufino Tamayo. D'Harnoncourt assisted in buying and selling antiques and contemporary works and also organized displays and exhibits in the showroom.

    In 1929 and 1930 d'Harnoncourt organized an exhibition of Mexican fine and applied arts at the Metropolitan Museum of Art in New York, which then traveled to other American cities. D'Harnoncourt left Davis's shop in 1933 and moved to the United States. D'Harnoncourt served as Director of the Museum of Modern Art, New York, from 1949 to 1967.
  • Condition: The original published paper folio book with watercolor reproductions with pale toning to the front and back cover sheets, the blue-colored sheets inside the paper folio book with time staining along the extreme edges of the sheet, areas of surface soiling throughout, handling creases, nicks, and small tears scattered throughout, all commensurate with age. As stated, the reproductions of the watercolor tableaus are mounted from the verso of the upper sheet edge to the original blue-colored paper in the book. The brown paper folder housing the sheets of paper with the hinged watercolors with surface soiling, scratching, creases, small nicks and tears, and minor toning throughout, all commensurate with age.

    Unframed


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December 6, 2023 12:00 PM PST
Monrovia, CA, US

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