57

Pedro Pablo Preux

(1932-2011, Mexican)

"Y Volvio La Noche," August 1966

Wool and Cotton Tapestry
With woven signature and manufacturer's mark to face: Preux / BP [conjoined]; signed, titled, dated and inscribed on fabric label verso: Tejido Por Bertha Preux / en E.D.A. Mexico / Medidas: Altura 1.20 Longitud 1.54 / Agosto 1966 / Pedro Preux
3'9' H x 4'11' W

  • Provenance:
    Sold: John Moran Auctioneers, Monrovia, CA, December 6, 2016, lot 1073
  • Notes:
    Pedro Pablo Preux (1932 - 2011) was a Mexican tapestry artist of French origin, and studied in Europe under Jean Lurçat. He was part of an effort to introduce and promote contemporary tapestry weaving as an art form in Mexico in the 1960s and 1970s, attempting to blur the lines between fine art and "popular" art, a movement favored by the artistic community which had begun promoting Mexico's handcraft tradition after the Mexican Revolution. Although Preux did some printmaking, his most notable work was in tapestry design and making, using the Gobelins techniques in a mixture of cotton and wool.

    This featured tapestry in an abstract design, "Y Volvio La Noche", or the "Return of the Night" of 1966, designed by Pedro Preux and woven by Bertha Preux, displays vibrant colors of orange, ochre yellow, and lilac, with strong shaded black and grey contrasts and fantastical, surreal shapes suggesting an eerie play of light and shadow as the twilight fades and the dark draws in.

    Born in Paris, and immigrating with his family to Mexico in 1942, Preux did not have any formal artistic training, but was influenced by his artist parents, his father a painter and his mother a sculptor and tapestry weaver, and also studied architecture and the violin. Preux returned to Paris in 1961 and 1965 with scholarships from the French government to study tapestry weaving in the official Gobelins Manufactory in Paris, as well as in Aubusson, where he apprenticed under Jean Lurçat (1892-1966). There, Preux became a "loyal disciple of both technique and philosophy." Like his mentor he insisted that tapestries are paintings in another medium as they require a similar sense of composition and involve a drawing on canvas or paper, but the finished work is executed in wool and cotton. One of his most important exhibits to emphasize this effect was at the Museo de Arte Moderno in 1979, which featured not only tapestries, but also paintings related to the history of the craft, suggesting that tapestries are "wall paintings" or a sort of portable mural.

    When he returned from France, Preux was invited by mural artist José Chávez Morado to establish tapestry workshops, where he taught from 1963 until 1973, when the Instituto Nacional de Bellas Artes y Literatura (INBAL) sponsored the workshop. Preux became director of the newly-formed "Taller Nacional de Tapiz" until 1984, when declining interest in the tapestry arts led to the closure of the workshop, sending Preux and others to a newly formed textile design school.

    Preux's work has been exhibited in Mexico and abroad, including both solo and collective exhibitions in France, London, Colombia, the United States, Peru, Poland, the Netherlands, Cuba, Argentina, and Brazil. Preux served both as an artist and as a jurist to the Tapestry Biennial and the Salón Michoacano del Textil en Miniatura. He was recognized with membership in the Salón de la Plástica Mexicana and admission to the Sistema Nacional de Creadores de Arte in 1994, and in 2009, his work was honored with a retrospective at the Universidad de Sonora. Although tapestry making as an art form waned after the 1970s, Preux remained an active artist until his death in 2011.
  • Condition: Overall good condition with dust accumulation and minor wear commensurate with age. With stitched drapery tape sleeve verso, for hanging.

    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

Accepted Forms of Payment:

ACH, American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

July 15, 2025 10:00 AM PDT
Monrovia, CA, US

John Moran Auctioneers

You agree to pay a buyer’s premium, as outlined below, and any applicable taxes and shipping.
Buyer's Premium
$0 - $1,000,000:
27.00%
$1,000,001 - $5,000,000:
21.00%
$5,000,001+:
15.00%

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $250
$5,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,500
$50,000 $99,999 $5,000
$100,000 $199,999 $10,000
$200,000 $499,999 $25,000
$500,000 $999,999 $50,000
$1,000,000 + $100,000