138

Paul de Longpré

(1855-1911)

Pansies

Watercolor on paper
Signed left of center: Paul de Longpré
Image/Sheet: 10" H x 14" W

  • Provenance:
    Private collection, Porter Ranch, CA
    Sold: John Moran Auctioneers, Pasadena, CA, "California and American Paintings Sale," October 13, 2009, Lot 12
    Private collection, Los Angeles, CA, acquired from the above
  • Notes:
    Paul de Longpré was a renowned French-American painter best known for his exquisite and detailed floral still lifes. Born in Lyon, France, he developed a passion for art at a young age, particularly for painting flowers. By the time he was 12, de Longpré began selling his artwork, and by his early twenties, he had become a highly regarded artist in Paris, exhibiting his works at prestigious salons.

    In 1890, financial difficulties brought on by bank failures in his home country, forced de Longpré to leave France and immigrate to the United States, where he settled in New York City. There, he quickly gained a reputation as a master of floral painting. However, it was his move to Los Angeles in 1899 that solidified his legacy. Attracted by the city's climate and lush plant life, de Longpré built a home in Hollywood, surrounded by extensive gardens that became the subject of many of his paintings. His home became a tourist destination and a hub for art lovers and collectors.

    De Longpré was particularly celebrated for his ability to capture the delicate nuances of different flowers, particularly roses, which earned him the nickname "King of Flowers." He worked primarily with oil paint and watercolor, often creating vibrant compositions that elevated floral still lifes to a fine art form. His attention to detail and skill in rendering the textures and colors of petals, leaves, and blooms made his work highly sought after during his lifetime.

    Although his fame peaked in the early 20th century, de Longpré's work continues to be admired for its technical precision and beauty. His paintings were widely exhibited and reproduced in prints, further cementing his influence in both the art world and popular culture. Today, his pieces are part of various museum collections, and his legacy remains tied to the early art scene in Southern California.
  • Condition: Overall good appearance. Pale light-staining, with an attendant very delicate line of slightly darker staining marking the window opening of a previous overmat. A few very unobtrusive flecks of foxing scattered in the right half of the work. The verso with remnants of old glue staining, brown paper tape along the edges, and two white rectangular pieces of hinging tape on the upper edge. The sheet is loose, not matted.

    Framed under glass: 15.875" H x 20" W x 1.75" D


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November 18, 2025 12:00 PM PST
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