47

Minas Avetisyan

(1928-1975)

"Jajur," 1973

Pastel and oil on paper
Signed in Armenian and dated in the lower corners: A. Minas / 25-11-73; signed again, titled, and inscribed "25" in a circle and "[**] 8," all in pencil, in Armenian, verso
Sheet: 13.25" H x 9.75" W

  • Notes:
    Minas Avetisyan was born in 1928 in the village of Jajur, Armenia, a place that remained central to his life and art. The landscape and daily rhythms of his hometown appeared throughout his paintings and played an active role in shaping the themes and identity of his art. In 1960, he moved to Yerevan and held his first solo exhibition; two years later, his participation in the "Exhibition of Five" in Yerevan brought him widespread recognition as a bold and original voice in Soviet Armenian art.
     
    Avetisyan's style was marked by wild, expressive brushwork and vivid, clashing colors. His brilliant use of color aligned him with the spirit of Fauvism, yet remained rooted in Armenian tradition. He drew inspiration from medieval manuscripts and folk art, and saw himself as a successor to Martiros Saryan, both in his palette and his devotion to capturing the Armenian soul. Avetisyan also worked in theater and public art, designing the set for Aram Khachaturian's "Gayane" ballet and completing large murals in Gyumri.
     
    In 1972, a fire destroyed much of his studio and many of his finest works. He died tragically in 1975, just three years later. Yet, despite his short life, Avetisyan left behind a powerful body of work that continues to influence Armenian art. His house-museum in Yerevan stands as a tribute to an artist whose vision remains deeply cherished.
  • Condition: Overall generally good appearance. Pale light- and time staining. Very fine craquelure in some of the areas of light blue oil paint, and occasional very tiny specks of pigment loss. A 0.5" paper loss at the tip of the lower left corner. Artist pinholes and flattened dog-eared creases in each of the remaining corners. A very tiny edge tear at the center of the right sheet edge, and a soft curved crease at the center of the left sheet edge. Tape remnants, staining, and surface skinning in various places along the verso sheet edges and corners. The sheet is loose, secured to the back mat with four clear archival corners.

    Framed under glass: 19.25" H x 15.75" W x 1" D


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