126

Minas Avetisyan

(1928-1975)

Houses in a rural landscape, Jajur, Armenia, 1960-1970

Oil on canvas laid to artist's board
Unsigned; dated from the certificate of authenticity
10.125" H x 14.125" W

  • Provenance:
    Shahen Khachatrian, gifted from the artist
    Private collection, acquired from the above, March 14, 2019
  • Notes:
    This lot is accompanied by a certificate of authenticity in Russian signed by Gayane Avetisyan-Mamajanyan and Arman Avetisyan, as well as a handwritten note inscribed in Armenian by Shahen Khachatrian, former director of the Martiros Saryan Museum.

    The note reads: "After having graduated from Minas Avetisyan's Leningrad institute, together we visited his northern village in Armenia. I noticed, that he was painting the colorful houses in front of the mountains, the trees and the white clouds. The color palette is impressive. Minas, who was a friend of mine, gifted me with four small and one big paintings, which he had painted in the years 1960-70." Signed again and inscribed using a different pen on the edge of the same note card: "I had sold this painting to my close friend. 14/3-2019."

    Minas Avetisyan was born in 1928 in the village of Jajur, Armenia, a place that remained central to his life and art. The landscape and daily rhythms of his hometown appeared throughout his paintings and played an active role in shaping the themes and identity of his art. In 1960, he moved to Yerevan and held his first solo exhibition; two years later, his participation in the "Exhibition of Five" in Yerevan brought him widespread recognition as a bold and original voice in Soviet Armenian art.
     
    Avetisyan's style was marked by wild, expressive brushwork and vivid, clashing colors. His brilliant use of color aligned him with the spirit of Fauvism, yet remained rooted in Armenian tradition. He drew inspiration from medieval manuscripts and folk art, and saw himself as a successor to Martiros Saryan, both in his palette and his devotion to capturing the Armenian soul. Avetisyan also worked in theater and public art, designing the set for Aram Khachaturian's "Gayane" ballet and completing large murals in Gyumri.
     
    In 1972, a fire destroyed much of his studio and many of his finest works. He died tragically in 1975, just three years later. Yet, despite his short life, Avetisyan left behind a powerful body of work that continues to influence Armenian art. His house-museum in Yerevan stands as a tribute to an artist whose vision remains deeply cherished.
  • Condition: Visual: Overall good appearance. Varnish discoloration. An approximately 3" jagged repaired crack in the board, in the sky of the upper right quadrant. A small cluster of pea-sized (or smaller) pigment losses in the tree to the right of the main house in the lower right quadrant. A few additional, unobtrusive, pinhead-sized (or smaller) pigment losses scattered occasionally throughout. Very slight frame abrasion along the lower portion of the left edge. Slight wear to the extreme outer edges and corners, and artist pinholes in each corner.

    Blacklight: A 1.5" H x 3" W touch-up in the sky of the upper right quadrant, in the repaired crack mentioned above, and a few pea-sized (or smaller) touch-ups to some of the pigment loss in the sky. A 0.5"H x 7" W band of touch-up along the left portion of the extreme upper edge.

    Framed with a Plexiglass backing: 17" H x 22" W x 2" D


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