85

Mauricio Bueno

(1939-2023, Ecuadorian)

"Signos Orientales," 1985

Oil on unprimed canvas
Initialed and dated in the lower right corner: M.B. / 85, titled by the artist
47.25" H x 47.25" W

  • Provenance:
    Private collection, New Mexico, acquired directly from the artist, circa 1985

    Other notes:
    Quito, Ecuador-born important Contemporary artist, architect, graphic designer and educator, Mauricio Bueno's body of work merged art with science and technology and visually explored ideas about environment, space, time, light, transparency, mirror/reflection and form.

    Bueno studied architecture at Colombia's National University between 1947 and 1960, and following his studies, worked as a graphic designer. This work led to a four-year fellowship at Massachusetts Institute of Technology's Faculty of Architecture's Masters program, where he collaborated with Horacio Caminos and worked under Gyorgy Kepes. Bueno received additional fellowships from the Graham Foundation and the National Endowment for the Arts.

    Bueno returned to Colombia and was a professor of architecture at the Universidad de Los Andes in Bogotá. In 1977, Bueno moved permanently back to Ecuador to work first as a professor in the Faculty of Architecture at the Central University, and then at the Faculty of Plastic Arts, where he taught for more than three decades. Around 2007 and until 2014, Bueno moved to Universidad San Francisco de Quito where he was a professor of Architecture. After leaving the teaching profession, Bueno became a full-time artist, working out of his Quito studio.

    In the present work, "Signos Orientales," Bueno presents an organic, yet abstracted, composition painted in natural hues and featuring Eastern character forms. The unexpected choice of Asian references in the imagery, rather than, perhaps, local indigenous design, speaks to the artist's international viewpoint and experiences abroad. While the style and composition of the present work are a departure from the artist's earlier hard-edged imagery created on shaped forms, it continues the Bueno's architecturally based vision of form in space and his interest in environmental considerations.
  • Condition: Visual: Overall good appearance. Minor dust accumulation and unobtrusive wear to the unprimed canvas at the outermost corners. The canvas is slightly loose on its stretcher.

    Blacklight: No evidence of restoration.

    Unframed


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July 15, 2025 10:00 AM PDT
Monrovia, CA, US

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