2020

Mary Fuller McChesney

(1922-2022)

Feline form, circa 1960s-1970s

Concrete and vermiculite
Incised signature to the underside: Fuller
12.5" H x 18.5" W x 7.5" D

  • Notes: Mary Fuller McChesney moved back to the Bay Area in 1952 after a year in residency in an artist colony in Ajijic, Mexico. Settling on Sonoma Mountain with her partner, fellow artist, printmaker, and teacher Robert McChesney, where they would live for the next several decades. Fuller was largely self-taught as an artist. She casted giant totems and goddesses out of a special mixture of vermiculite, sand, cement and water, which she carved directly into with a knife and rasp. These enchanting animals and mythological women are formed in a cubist style reminiscent of the pre-Columbian sculpture and African Art that profoundly influenced her aesthetic.

    As well, Fuller wrote and published many short stories, poems, and articles in various prominent arts magazines including Art Digest, Artforum, Art in America, Craft Horizons, and American Craft. She was a staff writer at Currant, a researcher for the Archives of American Art, a Ford Foundation Fellow and the recipient of the 1975 NEA Art Critic's Grant.

    Mary Fuller's sculptures can be found in many public places and private collections. Her public sculpture commissions can be seen throughout the state of California, including the Petaluma Library, the San Francisco Zoo, the San Francisco General Hospital, Portsmouth Square in San Francisco, Salinas Community Center, Andrew Hill High School in San Jose, Department of Motor Vehicles in Yuba City, and Squaw Valley.
  • Condition: Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age and outdoor storage. There is weathering, soil accumulation, and algae growth as this was displayed in a garden.

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August 1, 2023 12:00 PM PDT
Monrovia, CA, US

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