1153

Marjorie Reed

1915-1996

"Beautiful Palestine - Jerusalem"

Oil on canvas
Signed lower right: Marjorie Reed; signed again and titled on a label affixed to the stretcher
24" H x 48" W

  • Provenance: Other notes:
    American artist Marjorie Reed's vivid colors and expressive strokes bring to life some of the most engaging and entertaining images of the real and imagined American West. She was also deeply spiritual, feeling that God painted her works while she just held the brush. Depictions of the Holy Land are an important sub-genre of her work.

    Born in Illinois in 1915 to a family of artists and art enthusiasts, Reed began dabbling in art at three years old. Reed's father, Walter Stephen Reed, was a commercial artist, and as Reed grew older and trained as an artist under him, she began to take on commercial work as well. The Reed family moved to Los Angeles when Marjorie was 14, and later, like many Southern California artists, she took a job at Walt Disney Studios. Having done some commercial work for Disney, Reed was taken into the animation department, but left soon after, disliking the regimentation and repetitiveness of animation work.

    Reed's artistic direction would change once she began taking art classes at Chouinard Art Institute in the mid-1930s. Under the tutelage of Jack Wilkinson Smith, Reed was encouraged to follow her passion for the outdoors and ranch life. Reed had become passionately enamored with the great outdoors and life of cowboys and ranchers in the Southwest, and though she had been denied work in those fields, she became determined to capture the spirit of the West in her paintings. Some of her friends would even state that Reed would walk eighteen miles a day, exploring the countryside around Los Angeles.

    In 1957, Reed completed her first major series of Butterfield Stage paintings, coinciding with the publication of her book, "The Colorful Overland Stage." While these works established her reputation as a leading interpreter of the American West, Reed's artistic vision extended beyond frontier imagery. Guided by her deep spiritual convictions, she turned her attention to the landscapes and sacred sites of the Holy Land, seeking to capture not only their physical beauty but also their profound religious resonance.

    Reed's depictions of the Holy Land are distinguished by the same vivid palette and energetic brushwork that characterize her Western scenes, yet they are imbued with a heightened sense of reverence and contemplation. Through these works, she aimed to convey a personal and devotional response to place, aligning her artistic practice with her belief that her hand was guided by a higher power. These compositions stand as a significant and deeply personal component of her oeuvre, reflecting both her spiritual devotion and her lifelong commitment to translating lived experience into dynamic visual form.
  • Condition: Visual: Overall good appearance.

    Blacklight: No evidence of restoration.

    Frame: 32.25" H x 56.25" W x 2.75" D


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May 5, 2026 12:00 PM PDT
Monrovia, CA, US

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