59

Marion Kavanagh Wachtel

(1870-1954)

"San Antonio Canyon"

Oil on canvas laid to artist's board
Signed lower left: Marion Kavanagh Wachtel; titled in pencil, verso
10" H x 12" W

  • Provenance:
    The Redfern Gallery, Laguna Beach, CA
    Guchemand Collection, Baltimore, MD
    Private Collection, acquired from the above by descent

    Other notes:
    A celebrated American Western landscape painter in watercolor and oil of her era, Wachtel was born in Milwaukee, Wisconsin and grew up in a family of artists that included her mother and a great grandfather who was a member of the Royal Academy in London. Wachtel studied at the School of the Art Institute of Chicago and in New York under William Merritt Chase. After finishing her artistic studies, Wachtel taught at the Art Institute and in Chicago public schools, before returning to Milwaukee where she developed a reputation as a fine artist of figural subjects, particularly portraits of children.

    In 1903, Wachtel received a commission from the Santa Fe Railroad to paint murals in the railroad's ticket offices which took her West for the first time. She visited many sites along the way, stopping to sketch in New Mexico and Arizona before reaching San Francisco.

    In San Francisco, Wachtel studied with William Keith, and also had an extended visit to Cooper Ranch in Santa Barbara where she stayed for some months as a guest of the owner, Ellwood Cooper. It was on this ranch that Wachtel first saw and began to paint the handsome eucalyptus trees dotting the property, which would become one of her most frequent subjects for the remainder of her career.

    After considering a move to Southern California that same 1903 year, Keith suggested she continue her art studies with his former student, artist Elmer Wachtel. A romance quickly developed, and the couple were married in Chicago the following year. After they married, Wachtel signed her paintings ‘Marion Kavanagh Wachtel' and also dropped the ‘u' in the original spelling of ‘Kavanaugh.'

    The artist couple returned to Los Angles and built a home and studio in the Mt. Washington Area. They lived there until 1921 when they moved to the Arroyo Seco section of Pasadena. Elmer painted mostly in oil while Marion focused on watercolor, and both artist's work focused on the California landscape.

    Actively involved in the local artist community, Wachtel was honored in the 1920s with two one-artist exhibitions at the Los Angeles Museum of History, Science and Art. She exhibited coast to coast and was elected a member of the New York Water Color Club in 1911, became an associate of the American Water Color Society in 1912, and was a founding member of the California Water Color Society in 1921. She held memberships in other California and Western artists' societies as well.

    Elmer's death in 1929 caused Marion stopped painting for a time, but she resumed in 1931 and was again exhibiting regularly by the mid-1930s. After her husband's death, Wachtel incorporated oil painting into her practice and continued to produce landscape subjects primarily in and around the foothills of the nearby San Gabriel Mountains. She died in Pasadena in 1954, celebrated and admired for her talent as an artist who depicted the unique American West landscape in lyrical, sweeping rhythms and layers of rich tonal colors.
  • Condition: Overall good appearance. Slight varnish discoloration. Varnish oxidation primarily in the lower left quadrant.

    Blacklight: No evidence of restoration.

    Frame: 14.75" H x 16.75" W x 2.25" D


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