146

Joseph Christian Leyendecker

(1874-1951)

"Lucky Bag Girl," circa 1910

Oil on canvas
Signed lower left: J.C. Leyendecker
Oval size: 20.5" H x 18" W

  • Literature:
    Lucky Bag, Yearbook for the United States Naval Academy, Volume XVII, 1910, illustrated.
    United States Naval Academy, Class of 1910, graduation announcement and invitation, illustrated.
    United States Naval Academy, Class of 1910, Graduation Ball dance card featuring "Navy Girl" song, illustrated.
    Army-Navy football game program, November 26, 1910, illustrated.
  • Notes: One of the titans of American Illustration, Joseph Christian Leyendecker's exquisite paintings, constructed from vivid colors and quick, broad strokes, captured the energy and excitement of the early 20th century. From Santa Claus to football at Thanksgiving, Mother's Day flowers and New Years babies, Leyendecker codified in magazine overs and advertisements an emerging American identity and popular culture. His debonair, steely-gazed images of the "Arrow Collar Man," modeled on his business partner and lover Charles Beach, would define the look of the American male, and lay the foundation for advertising mascots in the years to come. Eclipsed by his protégée Norman Rockwell, Leyendecker's work has been undergoing a renaissance of appreciation, scholarship, and admiration.

    Born March 23, 1874 in Montabaur, Germany, Leyendecker and his family would move to Chicago when he was eight. As a teenager, Leyendecker worked at the J. Manz & Company printing house, working his way from apprentice to staff artist, taking night classes at the School of the Art Institute. Joseph and his brother Frank both enrolled in the Académie Julian in Paris, and from 1895 to 1897, lived and studied in there, taking classes from artists including Alphonse Mucha. Joseph and Frank would live and work together until Frank's tragic passing in 1924.

    On his return to Chicago from Paris, Leyendecker worked producing illustrations for multiple local companies. His break came in 1899, when he was commissioned for his first cover of "The Saturday Evening Post". This first cover portended a long career with the "Post" in which Leyendecker would create over 300 covers for the famed magazine.
  • Condition: Visual: Overall good condition. Slight surface grime. Remnants of old pulp board affixed verso. The canvas is trimmed to an oval shape and is loose within the frame. It is not stretched or mounted.

    Blacklight: A few pinhead-sized flecks of touch-up in the figure's face.

    Frame: 26.75" H x 23.5" W x 1.25" D


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November 12, 2024 12:00 PM PST
Monrovia, CA, US

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