92

John Charles Haley

(1905-1991)

Untitled (buildings with palm tree), circa 1960

Oil on canvas stapled to a backing board
Appears unsigned; titled and dated on a gallery label affixed to the frame's backing paper
Overall: 16.5" H x 22" W

  • Provenance:
    Estate of the artist
    Krevsky Fine Art, Oakland, CA, acquired from the above
    Private Collection, Oakland, CA, acquired from the above

    Other notes:
    John Charles Haley was born in Minneapolis, and studied at the Minneapolis School of Art in the 1920s. He continued his studies in Munich under German Modernist Hans Hofmann whose Cubist and Abstract Expressionist style had a profound influence on the artist.

    After Haley returned to the US, he taught art in Minneapolis before moving to California in 1930 where he became a Professor of Art at the University of California at Berkeley giving him a platform where he continued to promote Hofmann's modernist ideas.

    During the 1930s and 40s, Haley was known as an innovative watercolorist and leader of the Berkeley School of Watercolor Painting. While teaching, he also exhibited his work with the California Watercolor Society beginning in 1942. By the mid-1950s, Haley's style and focus had moved from the watercolor medium and creating more regionalist-leaning works toward Abstract Expression. Responding to post-wars shifts in artistic aesthetics, Haley experimented with increasingly fragmented and abstracted compositions.

    Haley received numerous awards for his early career watercolors and had a one-person show at the de Young Museum in 1980. After an extraordinary forty-two-year period teaching at Berkeley, Haley is credited with building one of the strongest art departments in the country and influencing a generation of artists including Elmer Bischoff and Paul Wonner.

    Throughout his career, Haley tirelessly experimented in his work, trying new mediums to find fresh visions, and responding to external changes in artistic style and focus. An artist difficult to classify, Artforum art critic John Koplans wrote of Haley in the July 1962 issue, "What is enjoyable about Haley's work is his deep concern for painting rather than a search for a brand image."
  • Condition: Visual: Scattered craquelure throughout. A 14" nearly vertical crease with attendant craquelure and a few unobtrusive, pinpoint-sized pigment losses near the left edge. Occasional rice-sized (or smaller) pigment losses near the right edge. Slight wear along the extreme edges of the painting where previously wrapped around a stretcher. As mentioned, the painting has been removed from its original stretcher and is currently stapled to a backing board along the unpainted edges of the canvas

    Blacklight: No evidence of restoration.

    Frame: 21.75" H x 25.5" W x 1.75" D


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June 17, 2025 12:00 PM PDT
Monrovia, CA, US

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