144

George E. Hughes

(1907-1990)

"Screaming Child On Santa's Knee," 1958

Oil on canvas
Signed lower left: Hughes, titled on the "Saturday Evening Post" publication order document attached to the frame's backing board
25" H x 23.25" W

  • Literature:
    "The Saturday Evening Post," December 6, 1958, cover illustration.
    Jan Cohn, "Covers of the Saturday Evening Post: Seventy Years of Outstanding Illustration from America's Favorite Magazine," New York, 1995, p. 254, illustrated.
  • Notes: A "Saturday Evening Post" publication order document is housed in a plastic sleeve taped to the frame's backing foam board. This lot is sold together with a cover of an original December 6, 1958 issue of "The Saturday Evening Post."

    Born in New York in 1907, George Hughes grew up in the epicenter of Twentieth Century art and advertising. Hughes lived in the city until adulthood, eschewing a traditional university path in favor of pursuing an arts education at the Art Students League. Following his time at the League, Hughes attended the National Academy of Design, where he developed and expanded on his skills as an artist.

    At the onset of his career, Hughes worked as a freelance illustrator for popular magazines including "Vanity Fair" and "House & Garden". In 1936, Hughes briefly left the world of fashion illustration in New York to explore work in the automobile industry in Detroit. There Hughes focused on industrial design working as a mechanical designer, but the limitations of the subject led the artist to quickly return to New York.

    In 1942, Hughes' work was discovered by "The Saturday Evening Post" art director Ken Stuart. Hughes first commission, a series of WWII portraits of American generals, was a major success, and brought national attention to the artist for the first time. The "Post" would go on to employ Hughes to produce content, including an impressive 115 covers including the present work, in the subsequent years, while the artist also worked as an illustrator for "McCall's", "Woman's Day", "American Magazine", "Reader's Digest", "Good Housekeeping" and other national publications.

    The present work was one of the artist's popular covers for "The Saturday Evening Post", and succinctly captures Hughes's ability to present the human condition in a humorous and comical "sitcom" scene. In images such as "Screaming Child on Santa's Knee", Hughes's detailed and unfolding story deftly captures the audience's attention. The layered narrative illustrations that Hughes created, including the present work, are distinct from other types of "Post" covers from this time period.

    Hughes's illustrations were so popular, in fact, that his work transcended the rise of photography in magazine illustration. Despite a decline in the use of original illustrations in magazines after the Second World War, Hughes continued to receive commissions into the 1970s, with his last "Post" cover appearing in 1971. After commissions for periodical illustrations finally dried up, Hughes turned to creating portraiture and continued to paint until his death in 1990.

    "Screaming Child on Santa's Knee" was the cover illustration for the December 6, 1958 issue of the "Post". In his composition, Hughes creates a timelessly relatable scene that features a toddler, dressed in a smart blue snowsuit, capped hat and red boots, as he reaches out in adolescent fear toward his well-dressed mother. Meanwhile, the department store Santa appears as shocked by this negative reaction as the child. Hughes's slice of holiday life, featuring onlookers waiting in the queue to visit Santa, and an eccentric motley of period toy decorations including a stuffed lion and monkey, lend a nostalgic and ageless quality to the composition.

    Hughes's work can be found in prominent collections in the US and abroad including the National Museum of American Illustration, the British Museum, and the National Portrait Gallery.

    Hughes' work can be compared to such luminary artists such as Norman Rockwell, James Montgomery Flagg, Mead Schaeffer, Anton Otto Fischer, NC Wyeth, Kurt Ard, Maxfield Parrish, Saul Tepper, Coles Philips, and Joseph Christian Leyendecker, of which there is a fine example included in this auction.
  • Condition: Visual: Overall generally good condition. Some small, occasional, scattered areas of fine, stable craquelure throughout, with showing primarily in the upper right corner. Some light grime and varnish discoloration showing along the lower edge. An approximately 3" crescent crease in the canvas in the lower center, to the right of Santa's boots. A small line of pinhead-sized spots of pigment loss in the lower right quadrant in the red pigment of the little girl's stockings.

    Blacklight: No evidence of restoration.

    Frame: 31" H x 29.75" W x 2.5" D


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November 12, 2024 12:00 PM PST
Monrovia, CA, US

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