118

Elsie Palmer Payne

(1884-1971)

Neighborhood mailboxes

Oil on canvas laid to canvas
Signed lower left: Elsie Palmer Payne
24" H x 30" W

  • Provenance: Other notes: Elsie Palmer Payne was born in 1884 in San Antonio, Texas, the youngest of eight children. When Payne was five years old, the family moved to San Francisco where her father worked in real estate and her mother taught art and music classes. Palmer Payne was interested in art from an early age and attended the Best Art School in San Francisco between 1903 and 1905, after finishing high school. There, a traditional art curriculum provided the young artist with the finest in Victorian-base art training, beginning with drawing from antique casts to life drawing and finally to incorporating color into her work. Upon completing art school, Palmer Payne worked as commercial artist.

    Palmer Payne met her husband Edgar Payne (1883-1947) in 1909 in San Francisco but did not agree to marry him until she travelled, for work, to Chicago in November 1912. After their marriage, the couple lived in Chicago from 1912 to 1917 where they regularly collaborated on mural commissions. While Edgar received recognition for "his" work, it was Elsie who was considered superior at figure drawing and executed preliminary sketches before Edgar would complete the finished view.

    After making several trips during their Illinois period to California, the couple moved permanently to Laguna Beach in 1917. Both artists were founding members of the Laguna Beach Art Association, where Palmer Payne's works were often exhibited in the associated museum.

    From 1922 to 1924, Palmer Payne and her family spent time in Europe. Palmer Payne's European work focused on the unique characteristics of the local people and their environments. Always interested in recording fidelity of personality, environs, color palette and subject, Palmer Payne's paintings, both American and European, were distinguished in this seminal period and praised by French critics.

    After separating from her husband in 1932, Palmer Payne expanded her artistic reach to include more works in oil, often with a view toward urban Los Angeles subjects. She regularly exhibited at major Los Angeles venues including the Women Painters of the West and the California Art Club, and opened the Elsie Palmer Art School and Gallery in Beverly Hills in 1934.

    Despite their marital separation, the artist was close to her estranged husband and when, in 1946, Edgar was diagnosed with cancer, Palmer Payne cared for him until his death, just one year later, in 1947.

    Following Edgar's death, Palmer Payne focused her attention on propagating her late ex-husband's memory and his artwork, and when she exhibited, she typically showed her works alongside Edgar's in joint shows. After a year of whirlwind exhibitions, in 1948, Palmer Payne earned enough from her teaching and the sale of her and Edgar's paintings to buy a triangular-shaped plot of land on which she built a home.

    As her health and eyesight began to fail her, Payne moved to Minneapolis in 1969 to be with her daughter Evelyn. There they established the Payne Studios, Inc. to conserve the works and record the artistic history of Elsie Palmer Payne and Edgar Payne. Palmer Payne died there on June 17, 1971.

    In "Neighborhood mailboxes," Palmer Payne presents a particularly charming view of Southern California. A line of foreground mailboxes stand before a dominant oak tree. Beyond the tree, a valley vista filled with red-roofed houses fills the scene.

    In her lifetime, Palmer Payne was a member of or founder of some of the most significant California artistic institutions including: National Association of Women Painters & Sculptors, Women Painters of the West (cofounder), Laguna Beach Art Association (cofounder), California Watercolor Society, California Art Club, Artists of the Southwest, America Artists Professional League.

    Palmer Payne's work was exhibited in many significant Southern California institutions including: Los Angeles County Museum of Art (1942, 1943), the California Art Club (1943), the Ebell Club, Los Angeles (1932, 1943), Greek Theatre, Los Angeles (1948, 1949), Pasadena Art Institute (1950) and the Laguna Beach Art Association (1951).
  • Condition: Visual: Overall good condition. An unobtrusive 0.5" horizontal line of pinhead-sized spots of pigment loss in the extreme upper left corner. As mentioned, the canvas has been relined.

    Blacklight: No evidence of restoration.

    Frame: 31.5" H x 37.5" W x 3" D


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November 12, 2024 12:00 PM PST
Monrovia, CA, US

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