219

Edward Borein

(1872-1945)

"Emigrant Train"

Etching and drypoint on wove paper
Signed in pencil in the lower margin, at right: Edward Borein
Plate: 5.875" H x 14.125" W; Sight: 6.625" H x 14.625" W

  • Literature: Galvin 148
  • Notes: The imagery, romance, and mythology of the American West has been painted, filmed, and written about for generations, but often by those who never experienced it. Few artists lived the harsh and unrelenting life of the cowboys and vaqueros they depicted. Few rode along the lonely dust filled roads in stagecoaches and wagons across desolate landscapes. Or witnessed the culture and customs of the Native American nations of the West firsthand. One of those few that did was Edward Borein.

    The West was in Borein's blood from the beginning. Born in 1872 in San Leandro, California, Borein grew up in the final decades of the Old West to a family of ranchers. The work of the cowboy came naturally to Borein, who by age twelve was driving cattle. While working with the cattle and horses on the ranch, Borein began to sketch. Aged 18 and bored of school, Borein left to travel up and down California, working as a cowboy on ranches throughout the state, all the while capturing the life of the ranchers in drawings. After returning to northern California for a month-long stint at the Art School of the San Francisco Art Association, Borein was encouraged by classmate Maynord Dixon to pursue art as a career. Borein left school again and found work at the Rancho Jesus Maria, and there began to send sketches out to magazine publishers.

    After leaving the harsh conditions and grueling labor of Rancho Jesus Maria, Borein's life became the epitome of the greatest legends of the Old West. Borein set out for Mexico, learned Spanish, and journeyed from ranchero to ranchero through central Mexico. Making his way north and back to the United States, Borein spent time among the Native American nations of the American Southwest. All the while Borein feverishly documented the life of the people and communities around him, continuously sending off drawings and illustrations to be published.

    At 30 Borein boarded a train for New York City and left behind the life of the cowboys for a professional artist. Longing for the life he left behind, Borein adorned his Manhattan studio with artifacts and trappings from California and Mexico. He entertained luminaries such as Buffalo Bill Cody, Will Rogers, and his old friend from art school, Maynard Dixon. Borein also befriend another figure who found meaning and purpose in the West, then-president Theodore Roosevelt. Longing for the Western life he left behind, Edward Borein returned to California in 1921. He set up his own studio in Santa Barbara, California, and began producing etchings and paintings of the colorful characters he lived and worked with. Already a thriving artistic center, Santa Barbara would be home to Borein for the rest of his life. He immersed himself in the city, helping to establish the Fiesta Parade and holding court with notable artists and creatives like Leo Carrillo, Walt Disney, and friend Will Rogers. Edward Borein died in Santa Barbara in 1945, hailed as one of the most authentic artists of the American West.

    While originally an ink and oil artist, Edward began to study etching while in New York City. Never feeling confident in the mediums of oil or watercolor painting, etching became Borein's specialty. This sale compiles a wide range of subject matter dear to Edward Borein, from cowboys and vaqueros on the range to California missions. The frenetic linework of these etchings and quality of their impressions bring to life and instill the energy of the long-ago world of the Old West.
  • Condition: Overall good condition. With margins. A 1.125" vertical scratch in the upper right corner of the image. Not examined out of the frame.

    Framed under glass: 15.25" H x 21.25" W x 1" D


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September 12, 2023 10:00 AM PDT
Monrovia, CA, US

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