86

Edith White

(1855-1946)

Still life with red roses, 1895

Oil on canvas
Signed and dated lower left: Edith White
28" H x 22" W

  • Notes: Edith White was one of the only professionally trained female artists working in Southern California by the time she established her studio in Los Angeles in 1882. Known best for her complex, realistic, and academically formal compositions of roses, White was also a noted
    landscape, mission, and portrait painter.

    Born in Iowa, White and her Quaker family migrated to California via an ox-drawn cart when she
    was four years old. They initially settled in a mining camp in the Sierra Nevadas in 1859 and
    remained in Nevada County or San Francisco until 1868. White studied art at Mills Seminary
    (now Mills College) and graduated in 1874. She continued her studies in San Francisco under
    Virgil Williams before moving to Pasadena in the early 1880s.

    Except for a year studying at the Art Students League in New York from 1892-93, White was
    an active member of the Southern California arts community for decades. She exhibited
    widely, particularly in the 1890s, and in 1896, was a founding member of the Pasadena Art
    Association.

    White and her family were very close and deeply religious, her parents encouraged her
    to focus on painting while discouraging her from marrying or starting a family. White and
    her parents were also active in the Theosophical Society, a 19th century esoteric religious
    movement, and moved to Point Loma about 1902 to live in the Theosophical
    community, Lomaland, that was led by noted Theosophist Katherine Tingley. For 28 years
    White taught painting at the Raja-Yoga School in the Lomaland settlement while producing
    her work without commercial pressures (P. Trenton, "Independent Spirits: Women
    Painters of the American West," 1890-1945, p. 44).

    White returned to Northern California in 1930 and settled in Berkeley. She had a studio and
    also taught there until she died in 1946.
  • Condition: Visual: Overall good condition. The canvas is slightly loose from the stretcher.

    Blacklight: Occasional areas of touch-up scattered throughout, the largest measuring 2" H x 1" W at the upper portion of the left edge.

    Frame: 28" H x 21.75" W x 2" D


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