175

Charles and Ray Eames (1907-1978 and 1912-1988)

Six Molded Leg Splints by Evans Products Company in box, 1943
Designed 1941-1942
Each marked to original sticker: 1 Splint / Leg . Plywood / For Transportation / Stock No. S2-1790 / [Evans logo] / Manufactured by Evan Products Company / Molded Plywood Division / Los Angeles . California; box marked with matching stock number
The molded plywood splints, each wrapped in original paper packaging and housed in a cardboard box
6 pieces
Each: 42" L x 8" W x 4" D; Box: 42.75" L x 8.5" W x 8.5" D

  • Provenance:
    The Collection of Andrew and Lydia Sussman, Studio City, CA
  • Notes:
    During the early years of WWII, Charles Eames (1907-1978) was designing sets at MGM studios, but he and his wife Ray (1912-1988) were already beginning to experiment with the molded plywood processes that would become a signature of their furniture design in the decades to follow. In their own studio, they built the Kazam! machine, which applied heat and pressure to stacks of glued wood veneer, allowing them to manipulate the form. These methods would eventually be used to help save lives on the battlefield and to launch their careers as commercial designers.

    Before the splint's redesign, medical officers in the field were using metal splints that proved problematic, clunky, and added to the patient's discomfort, sometimes even worsening the casualties sustained in combat. Wendell G. Scott, who was a Lieutenant Commander in the US Navy Reserves, recognized the problem and set about finding someone who could design a better model. So, in 1942, Scott commissioned the Eameses to apply their techniques with molded plywood and deliver a solution.

    Having secured a contract, the Plyformed Wood Company was founded by Charles and others including Harry Bertoia. They based the first prototype on Charles's own leg, but quickly realized they didn't have access to enough materials or labor to produce the splints at scale. So, they teamed up with Evans Products, who absorbed the Plyformed Wood Company and provided the workforce and wood necessary to meet the demands of the contract. Together, they were able to produce an estimated 150,000 splints during the war.

    The splint's brilliant design was remarkably lightweight and easy to transport because they stacked neatly into each other. They could be used on either leg without extra padding, and there were slots for bandages to secure the leg. Additionally, by stacking the wood plies so that the wood grains alternated at right angles meant that they would not warp. It is this level of meticulousness in process and construction that would allow Charles and Ray to turn their playful ideas into sturdy, practical, and lasting pieces of furniture.

    "The details are details. They make the product. The connections, the connections, the connections. It will in the end be these details that give the product its life." – Charles Eames

    After the war, Charles and Ray shifted their focus and poured their boundless creativity into designing the furniture we now know them for. But the Eames splint will always stand as a symbol of their ingenuity, creative problem solving, and perfectionism. The whole experience of working with Evans and the access they then had to materials certainly provided a solid jumping off point for their designs to be widely distributed to a new post-war generation.
  • Condition: None examined out of paper wrapping. Each overall good condition. The box with wear, indentations, losses at edges, soiling, and shelf wear.

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February 25, 2025 12:00 PM PST
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