209

Ben Abril

(1923-1995)

"Colorado Street Bridge"

Oil on canvas
Signed lower left: Ben Abril; signed again, titled, and inscribed on the stretcher: "Colorado Street Bridge - Completed in 1913 - Cost $200,000 / 160 Feet Above Arroyo Seco - 1,467 Feet Long / Bridge Engineer = Mr. John Drake Mercereau / Nicknamed 'Suicide Bridge' Over 100 People Have Jumped from the Bridge to their Death - Since 1913"
24" H x 36" W

  • Notes: The romance of old California and nostalgia for a lost past of high-rises and vintage Los Angeles coalesce around the work of artist Ben Abril. Old LA is caught in a time capsule in each Abril work, frozen in time in dazzling brushwork and vibrant colors. Capturing a city between the Golden Age of Hollywood and the end of the midcentury, Abril's work sees the passing of the old, the new, and the old again.

    Born in 1923 in Los Angeles, Abril served in World War II in the Air Force. After a short stint at the Glendale School of Allied Arts, where he learned painting under Arthur Beaumont, Abril worked as a clerk in a post office at night to spend his days painting. Abril was eclectic in his schooling and training. He studied landscape painting at the Art Center School of Design, architectural rendering at Chouinard Art Institute (now Cal Arts), and watercolor classes at Otis Art Institute. While an accomplished artist on the side, Abril mainly worked as a cartographer and draftsman for the County of Los Angeles until a series of artistic projects and exhibitions in the mid-1950s and early 1960s cemented Abril's reputation as a noted painter. At a 1964 exhibition, actor and art collector Vincent Price was so impressed with the artist that he bought out his entire studio. Abril received a number of high-profile commissions, including a series for the US Navy and a gift for Pope John Paul II.

    Abril passed away in La Canada Flintridge in 1995 after complications from cancer. A stand-out from many of the other California Scene Painters, Abril's work was glowingly described in an exhibition at the Cowie Wilshire Galleries in Los Angeles:

    "There are, nevertheless, few artists among the many southern California scene painters who so obviously enjoy their profession and also manage to convey this vitality to the observer as does Abril. Whether his subject is taken from the rolling hills, beaches, sunlit slums, or suburbs, he makes swift bold statements in pure blazing colors that emphasize his enthusiasm and his often injudicious compositions."

    Ben Abril's work, nostalgic yet timeless, celebrates the classic cars, old houses, skyscrapers, landmarks and vistas both urban and rural, of California.

    In "Colorado Street Bridge", Abril captures an iconic view of the historic concrete arch bridge scene from the Arroyo Seco in Pasadena, CA. Built in 1912 by the firm of Waddell & Harrington, based in Kansas City, MS. This major structure was designed to replace the small Scoville Bridge near the Bottom of the Arroyo Seco, to form an east-west route that connected Pasadena with Eagle Rock and Glendale to the west, and with Monrovia to the east. The Colorado Street Bridge also stands as a visual backdrop in many movies like Charlie Chaplin's 1921 film, "The Kid," and almost 100 years later, appearing during an evening stroll scene of the protagonist in the 2016 film, "La La Land."

    Ben Abril's work is held in many prestigious institutions, including the Los Angeles County Museum of Art (LACMA), the Frye Art Museum in Seattle, the Navy History and Heritage Command in Washington D.C., and the Hilbert Museum of California Art in Orange, California. Archival materials of the artist are held in the Natural History Museum of Los Angeles County and the Los Angeles Public Library.

    Proceeds from the sale of this lot will go towards the San Miguel Scholarship at La Salle College Preparatory (Pasadena, CA) which offers up to nine full tuition scholarships every year to entering students who fall below the federal poverty level.
  • Condition: Visual: Overall good condition. Dust accumulation and occasional specks of grime commensurate with age. Craqeulure scattered throughout. Two areas of unstable craquelure with attendant unobtrusive and small specks of pigment loss.

    Blacklight: Pea-sized or smaller areas of touch-up throughout the sky.

    Frame: 33.375" H x 45.375" W x 3" D


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November 12, 2024 12:00 PM PST
Monrovia, CA, US

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