54

Attributed to Marcos Grigorian

1925-2007

Abstract, circa 1950s

Oil on Masonite
Appears unsigned; with the artist's inscription and ink stamps, verso
57" H x 5.5"-7.25" W

  • Provenance: The artist
    Private Collection, Los Angeles, CA, acquired from the above, circa 1960
  • Notes: The abstract painting created by Marcos Grigorian was created around the 1950s, when he returned to his hometown of Tehran, Iran. The current piece, oil on canvas, is an impressive piece by Grigorian that runs long and vertically. This work represents Grigorian as a pioneer of modern art in Iran and a vision he brought to the creative landscape (Daftari, 3). Grigorian also strived for the authenticity of his works because his "own trajectory reflects the search for an expression that is modern but not borrowed." (Daftari, 3). Grigorian reflected his originality in the works that he created, which was a product of his education and his profound use of expressionism in his pieces.

    Examining the color scheme of the paint is quite limited, but in this case, the small variety of colors for this work does not diminish the stunning look of the painting. The paint used in the background is oak-colored paint, accompanied by black paint that is lightly marked onto the panel. The color palette that Grigorian is applying is earthy tones, which calls back to the influence of his experimentation with earth art, using natural hues. The piece is balanced by a long vertical black paint stroke that runs from the top and bottom of the canvas. Along this vertical line, many horizontal lines protrude from each side of the black vertical line at various lengths. When looking at these lines, it resembles what looks like a spine with spindles, Giving this panel a naturalistic form. Examining this piece, the subdued earthy tones, the swift brush of the artist, and the balance created along the piece to create a spindle-like shape are the prominent artistic elements of Grigorian.

    The current piece is a testament to Grigorian's well-developed artistic style. A wonderful homage to the human condition and its connection to nature. Grigorian also "harnessed his metaphysical visions to the structured geometry he had absorbed from Minimalism, but he did not shy away from other aesthetic poles" (Daftari, 3). Grigorian's experience in creating works with different mediums and styles is vital to developing his original abstract works. Although Grigorian and his influence on the art world and, more importantly, on "the Iranian identity in art is often equated with certain expressions, such as calligraphy and miniature painting, Grigorian opens doors to an art that is global without derivative and local without being reductively ethnic," (Daftari, 3).
  • Condition: Visual: Good condition. Surface dirt and grime commensurate with age. An approximately 7.5" H x 0.5" W surface scuff in the varnish layer at the lower center. Some scattered small areas of paint loss, mostly attendant with the artist's nail holes around the perimeter, the largest two approximately pea-sized at upper center and also upper left. A very delicate and unobtrusive 1" H x 0.75" W L-shaped surface scratch near the top of the extreme left edge. Occasional frame abrasions and wear to the Masonite along the edges and corners.

    Blacklight: No evidence of restoration. Difficult to read under uneven varnish.

    57.5" H x 6"-8" W x 2" D


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November 1, 2022 12:00 PM PDT
Monrovia, CA, US

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