139

Alson Skinner Clark (1876-1949 Pasadena, CA)

oil on canvas laid to canvas
38'' H x 51'' W

  • Provenance: Private Collection, Los Angeles, CA
  • Exhibited: Pasadena's First Annual Art Exhibition, n.d. (see exhibition label affixed to the original frame)
  • Notes: Alson Clark enlisted in the Navy in November 1917 just a few months after the United States entered World War I. Initially Clark thought he would serve in France as an interpreter but his language skills were not sufficient and he instead became an aerial photographer, ''a job that literally entailed hanging out of an open plane (an F2A flying boat) while taking photographs" (D. Solon, ''An American Impressionist: The Art and Life of Alson Skinner Clark'', Pasadena, CA, 2005, p. 85). Clark was sent home after the armistice in 1918 and returned to painting the variety of subjects he was known for before his enlistment. The present work is a rare war subject, and may be the only significant painting of the war that the artist ever produced. Upon Clark's return to the States, "[h]e did not express in speech or through his paintings the horrors he had witnessed in Europe" (D. Solon, p. 85). The Northern French town of Bailleul was the target of a German offensive in April 1917 that destroyed an estimated 98 percent of the town. Clark captures buildings reduced to rubble and the near total devastation of Bailleul in the present somber painting and would continue to explore depictions of ruins after arriving in California in 1919. Studies and finished oils of various California missions show his focus on the subject in a particularly concentrated period from around 1919 and 1920 (D. Solon, p. 92). ''The ruins of the great stone church [of Mission San Juan Capistrano], with its arbitrary forms and crenellated brickwork--particularly the decaying exterior surfaces--were inspirational'' (D. Solon, p. 92)
  • Condition: Visual: Scattered, stable craquelure. Painted surface affected by lining. Blacklight: Touch-up throughout the entire in the sky, concentrated mainly in the upper left and upper right quadrants. Touch-up in the lower left corner and some scattered areas on the buildings.

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April 23, 2013 6:30 PM PDT
Pasadena, CA, US

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