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A Nez Perce twined corn husk bag

Late 19th/early 20th century, Nimiipuu; Northwest Plateau
The double-sided flat twined bag with polychrome wool yarn imbricated motifs to each side,
featuring terraced stepped diamonds to one side, and an all-over pattern of conjoined blue and red triangles verso, with woven top edge and twisted cord lacing
22.25" H x 17.5" W

  • Provenance:
    Sold: Sotheby's, New York, NY, The Andy Warhol Collection, "American Indian Art," April 28, 1988, lot 2564 [3 pieces]
    Private collection, Studio City, CA
  • Notes:
    Andy Warhol's personal collection of Native American material, auctioned by Sotheby's after his death in 1987, revealed his deep fascination with 19th century Indigenous art—from the carved forms of the Northwest Coast Tlingit to the vibrant textiles of the Southwest. Among the most striking works were several late 19th century Nez Perce corn husk bags—handwoven objects whose bold geometry and rhythmic design echoed Warhol's own graphic sensibilities.

    These "flat bags," traditionally made by women of the Nez Perce and neighboring Plateau tribes, were used to carry personal items or given as ceremonial gifts, making them both utilitarian and symbolic. They were crafted using a sophisticated twining technique of soft hemp or dogbane for the foundation, and corn husk and dyed yarns to create vibrant designs on both sides. Admired for their abstract motifs of triangles, zigzags, and stepped patterns, their symmetrical compositions reflect a Plateau visual language that predates and yet parallels modern design principles.

    The desirability of Warhol's collection lies not only in his fame but in his discerning eye. As Sotheby's noted, his interest in Native American material culture mirrored his broader artistic inquiry into identity, iconography, and the mythologizing of American history. Warhol's engagement with Indigenous imagery extended beyond collecting. In his 1986 "Cowboys and Indians" series (one of his last major works), he juxtaposed romanticized Western figures like John Wayne with Native leaders such as Sitting Bull and Russell Means, challenging how Native identity had been commodified in pop culture.

    Today, these corn husk bags stand as exceptional works of Indigenous textile art and with Warhol's ownership, now bridge two distinct creative legacies that embody both the cultural heritage of the Plateau tribes and the curatorial vision of one of the most iconic artists of the 20th century.
  • Condition: With typical general wear, soiling and darkening commensurate with age and use. Scattered minor losses to yarn on each side. Four small holes to bag, three near side edges, and one to upper area of triangle pattern face; largest: 1.5" H x 1" W. Three holes with previous older stiched repair patches. Base with staining and wear to weave, with a few worn areas and small holes. Top with loss and minor damage to edging.

    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

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August 26, 2025 10:00 AM PDT
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