1089

Frederick Judd Waugh

(1861-1940)

"Smuggler's Cove"

Oil on Masonite
Signed lower right: Waugh; titled in ink on a gallery label affixed verso; titled again in pencil, possibly in another hand, on a prior frame's backing paper sandwiched between the work and the frame's backing board
40" H x 50" W

  • Provenance:
    Grand Central Art Galleries, New York, NY
    Sold: Sotheby's, New York, NY, "American Paintings, Drawings & Sculpture," November 29, 2006, Lot 94
    From the Collection of Robert A. Day

    Other notes:
    Frederick Judd Waugh was an American artist best known for his powerful and expressive marine paintings, though his work also extended to landscapes that captured the rugged beauty of coastal environments. Waugh was born in Bordentown, New Jersey into a family of artists: his father, Samuel Bell Waugh, was a portrait painter and his mother, Mary Eliza Young, was a miniature painter. Frederick developed a strong foundation in both technical skill and artistic sensibility.
    Waugh studied under Thomas Eakins at the Pennsylvania Academy of Fine Arts from 1880 to 1883 and then continued his studies in Europe at the Académie Julian in Paris. He also exhibited at the Paris Salon. Through his studies, he absorbed influences from realism and impressionism before forging his own distinctive style.

    Early in his career Waugh lived in Philadelphia and worked for a commercial art firm while also painting portraits and landscapes. Between 1892 and 1907, Waugh lived primarily in London. Landscapes of the Channel Island of Sark and St. Ives, Cornwell were frequent subjects.

    Waugh became especially renowned for his depictions of the sea, which he rendered with dramatic energy, often focusing on crashing waves, shifting light, and the emotional force of nature.

    Waugh returned to the United States in 1907 and spent most of his time working out of Provincetown, Massachusetts and Monhegan Island, Maine. He was elected a member of the National Academy of Design in 1911 and won many prizes in the United States.

    Later in his career, Waugh spent some time in California, where the state's varied coastline and luminous atmosphere inspired a new dimension in his work. Unlike the darker, more turbulent Atlantic scenes he had painted earlier, his California seascapes and coastal landscapes often conveyed a brighter palette and a sense of openness. He captured the meeting of land and sea along the Pacific with a sensitivity to color and luminosity that reflected the region's unique environment. These works highlight his adaptability as an artist and his deep appreciation for natural beauty, positioning him as an important figure in American art whose legacy bridges both East and West Coast interpretations of the sea.
  • Condition: Visual: Overall good appearance. Slight varnish discoloration and very minor grime. An unobtrusive 0.375" faint, horizontal scuff mark with two unobtrusive pinhead-sized (or smaller) pigment losses on either end of the scuff in the sky in the upper left quadrant. A few very soft pressure marks in the surface of the Masonite, primarily visible in raking light, likely existing prior to the creation of the work and not affecting the pigment.

    Blacklight: Two small areas of touch-up, the largest measuring 2.5" H x 1" W, in the sky in the upper left quadrant, a few thin bands of touch-up, the largest 0.5" H x 1.75" W in the center of the left edge, a pea-sized touch-up in the center of the upper edge, and other minor small flecks of touch-up scattered primarily along the outer edges. Uneven varnish application or cleaning throughout, making it difficult to read under blacklight.

    Frame: 50.5" H x 60.25" W x 3" D


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May 5, 2026 12:00 PM PDT
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