14

John Trumbull

1756-1843

"Charles Carroll of Carrollton," 1821

Oil on canvas
Signed, titled, and dated in ink verso: John Trumbull / 1821
36" H x 29" W

  • Notes: John Trumbull was an American painter, author, architect, and military officer who was best known for his portraits of early American leaders and historical paintings of the events of the American Revolutionary War (1775-1783).

    Born in 1756 in Lebanon, Connecticut, Trumbull was uniquely positioned to become one of America's premier historical painters. He was the son of Jonathan Trumbull, Connecticut's governor, and thus grew up surrounded by affluent political and military figures central to the American Revolutionary cause. Furthermore, Trumbull's involvement in the Revolutionary War as an aide to General George Washington further deepened his ties to the war, and to observe firsthand the leaders and events that would later become subjects in his paintings.

    After the war, Trumbull studied painting in London under the authority of Benjamin West, a prominent American-born painter based in Britain. It was during this time that Trumbull conceived of a grand artistic project: to create a series of historical paintings that would immortalize the American Revolution and its heroes. His most famous work from this period includes "The Declaration of Independence."

    In terms of the Declaration of Independence, Charles Carroll of Carrollton (1737-1832) was one of the most significant figures in American colonial history, being the only Catholic signer of the Declaration of Independence and one of the wealthiest men in the colonies. His political career and role in the revolution were particularly notable given his Catholic faith, which was viewed with suspicion in the largely Protestant colonies. Despite religious prejudices, Carroll became a key advocate for independence and played a vital role in securing support for the revolutionary cause in Maryland. In addition to his political achievements, Carroll's life spanned an extraordinary period in American history, from colonial rule through to the early years of the United States. He lived to see the country's birth and early struggles for stability and identity. His advanced age and legacy made him a revered figure by the time John Trumbull painted his portrait.

    John Trumbull's portrait of Charles Carroll, completed in 1821, captures the dignified statesman. Trumbull was known for his ability to convey the inner strength and character of his subjects, and the portrait of Carroll is no exception. It is a restrained and formal depiction, emphasizing Carroll's calm authority and wisdom. The painting also has a deeper political resonance. By painting Carroll, Trumbull was not only commemorating one of the last surviving signers of the Declaration of Independence but also celebrating the ideals of liberty that Carroll embodied. In this sense, the portrait becomes not just a personal likeness, but a symbol of the lasting contributions of the Founding Fathers.

    Trumbull's portraits of American leaders like Charles Carroll were an integral part of his mission to create a visual record of the Revolution and its aftermath. Through his work, Trumbull honored the key figures who shaped the United States, while also contributing to the emerging national identity. As one of the first American painters to gain international recognition, Trumbull brought a level of sophistication to his works that was unusual for the period. His ability to blend historical narrative with personal portraiture helped to establish a distinctively American school of painting, one that would influence later artists like Gilbert Stuart and Thomas Sully.
  • Condition: Visual: An approximately pea-sized area of pigment loss on the figure's forehead, at center, attendant with the unstable craquelure scattered in the figure's face. Dust accumulation, mostly stable craquelure throughout, heat damage to the pigment in the upper half of the work with attendant thick bands of crazing, varnish discoloration, darkening to the pigment, the canvas fragile, and frame abrasion along the extreme edges, all commensurate with age. The canvas rippled, mostly appearing in the lower half of the work, attendant with the canvas slightly loose from the strainer. A 9" thin band of smaller areas of soft abrasion to the surface, appears to not be affecting the underlayer. A pea-sized area of visible touch-up/repair near the right edge, at center. Other minor defects are present. This work could benefit from conservation and restretching.

    Blacklight: A quarter-sized area of touch-up to the figure's left shoulder, another quarter-sized area of touch-up near the upper edge, at center, and touch-up along the extreme edges. Presumably more touch-ups throughout, but difficult to read under blacklight, attendant with heavy and old varnish used.

    Frame: 45" H x 38" W x 5.25" D


    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

Accepted Forms of Payment:

ACH, American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

November 12, 2024 12:00 PM PST
Monrovia, CA, US

John Moran Auctioneers

You agree to pay a buyer's premium of up to 27% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $250
$5,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,500
$50,000 $99,999 $5,000
$100,000 $199,999 $10,000
$200,000 $499,999 $25,000
$500,000 $999,999 $50,000
$1,000,000 + $100,000