28

De Wain Valentine

1936-2022

Disk Amber, circa 1968

Cast resin
Unmarked
5" H x 10.75" Dia.

  • Provenance: The Marmor Family Collection
  • Notes: De Wain Valentine emerges as a pivotal figure in the Light & Space movement of the 1960s and 1970s, celebrated for his avant-garde sculptures that seamlessly merge industrial aesthetics with the evocative essence of California's coastal environment. Born in Fort Collins, Colorado, Valentine's artistic journey led him to Los Angeles in 1965, where he embarked on a transformative career path that would reshape sculptural conventions. De Wain Valentine's work is part of the Space and Light artists of Southern California that consist of such artists as Larry Bell, Robert Irwin, James Turrell, Mary Corse, John McCracken, Eric Orr, Doug Wheeler, Helen Pasgian, Peter Alexander, and others.

    Arriving in Los Angeles to teach a course in plastics technology at the University of California, Los Angeles (UCLA), Valentine quickly established himself as one of the earliest pioneers in utilizing industrial plastics and resins to craft monumental sculptures. He would later develop a product called Valentine MasKast Resin with the Hastings Plastics company. His technical expertise, honed through his diverse experiences in boat building shops and automotive painting, including some speculative work with UFOs, profoundly influenced his artistic vision. This fusion of technical knowledge and creative ingenuity ignited Valentine's fascination with sculptures crafted from colored plastic and polyester resin, materials that evoke a futuristic aesthetic and captivate viewers with their mesmerizingly translucent surfaces.

    Disk Amber transforms into a sensory encounter, beckoning viewers to interact with both the object and their environment through its manipulation of light and space. Meticulous attention to detail and the refinement of its finish and color produce a prismatic effect, enhancing the sculpture's visual impact. The vibrant orange hue evokes the imagery of a sun setting below the horizon, adding to the immersive experience created by the artwork.

    Valentine's minimalist sculptures, primarily from the sixties and seventies, exude a polished, impersonal allure reminiscent of industrially manufactured products. Yet, beneath their glossy exteriors lies a profound connection to the coastal landscape that surrounded him. Inspired by the boundless expanse of the sky and sea, Valentine meticulously selected materials such as glass, fiberglass, and resin for their translucent qualities, enabling him to create works that seemingly transcend their physical confines.

    Central to Valentine's artistic philosophy was the dissolution of form in favor of an exploration of color and light. Through meticulous craftsmanship and a keen understanding of materials, he produced sculptures that epitomized the "Finish Fetish" movement of Los Angeles, characterized by sinuous forms and otherworldly hues. Valentine's mastery of industrial techniques allowed him to push the boundaries of sculptural expression, resulting in monumental works that captivate viewers with their mesmerizing play of light and shadow.

    Valentine's enduring legacy extends beyond his innovative use of materials; his influence on subsequent generations of artists is profound. His works are housed in major museum collections worldwide, including the Denver Art Museum, The Whitney Museum of American Art, and The Museum of Modern Art in New York, among others. Through his relentless pursuit of artistic innovation and his unwavering commitment to pushing the boundaries of sculptural practice, De Wain Valentine remains an indelible icon in the realm of contemporary art.
  • Condition: Overall good condition with shelf wear, scattered scuffs, and scratches commensurate with age. The object leans as its center of gravity does not perfectly match the center of the object. Subsequently, the underside with a 2.25" diameter area of rubbed wear from rocking movement.

    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

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March 26, 2024 12:00 PM PDT
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