120

Victor Brecheret

1894-1955

"Tocadora de Guitarra," 1920s

Carved marble
Incised signature to base: V. BRECHERET
20" H x 14.5" W x 5.375" D

  • Provenance: Private Estate, Sequim, Washington
    Property of the Estate of a Washington State Collector, acquired from the above
  • Notes: Accompanying this lot is a certificate of authenticity issued by Sandra Brecheret Pellegrini, the artist's daughter.

    Victor Brecheret (1894-1955) stands as one of Brazil's most prominent modernist sculptors of the 20th century. His work represents a captivating convergence of modernist sculpture techniques, Art Deco synthesis, and Brazilian cultural heritage, embodying a profound dialogue between form and cultural identity.

    Born in Farnese, Italy, Brecheret emigrated to Brazil at 10. He began his artistic training at the Liceu de Artes e Ofícios in São Paulo in 1912, studying drawing, modeling, and wood carving. In 1913, he traveled to Rome, where he became a disciple of Italian sculptor Arturo Dazzi, known for his monumental figures with great formal synthesis.

    Upon returning to São Paulo in 1919, Brecheret had already mastered various sculptural techniques. He was soon discovered by modernists such as Di Cavalcanti, Mário de Andrade, and Oswald de Andrade, who began promoting his work. In 1922, although absent, Brecheret participated in the seminal "Week of Modern Art" at the Theatro Municipal in São Paulo, exhibiting 12 sculptures of various dimensions and materials. This event marked a turning point in his career and in Brazilian art history, as it showcased artists breaking away from traditional European styles to form a modernist movement.

    One of Brecheret's notable works is 'Tocadora de Guitarra' (The Guitar Player), 1920s. This piece, which exists in both bronze and marble versions, depicts a female figure playing a guitar. It exemplifies Brecheret's transition towards a more geometric style, balancing straight and curved lines. The bronze version is housed in the Memorial de Curitiba, Brazil.

    Victor Brecheret's work can be contextualized within the broader Latin American modernist movement, sharing certain parallels with other prominent artists of his time. Like Pablo Picasso, Brecheret was influenced by primitivism and incorporated indigenous motifs into his work, although Brecheret focused on Brazilian folk art. Like Wilfredo Lam and Diego Rivera, Brecheret sought to create modern and distinctly representative art of his cultural heritage. While in Paris, Brecheret met artists such as Fernand Léger and Picasso, which likely influenced his artistic development. His exploration of simplified forms and geometric styles in the 1920s echoes the work of artists like Carlos Mérida, who combined modernist techniques with indigenous themes. Although Brecheret's medium of choice was sculpture, his commitment to creating a uniquely Brazilian modernist aesthetic aligns with the goals of painters like Frida Kahlo and Roberto Montenegro, who sought to express national identity through their art. Ultimately, Brecheret's work represents a significant contribution to the diverse tapestry of Latin American modernism, bridging European influences with local traditions and helping to establish a distinctive Brazilian artistic voice on the international stage.
  • Condition: Overall good condition with shelf wear, dust accumulation, and scattered minor scuffs commensurate with age. The base with soiling and a 0.375" chip to bottom right corner proper at bottom edge. With a rice-sized chipped loss to end of outstretched hand. Scattered scuffs, including one measuring 1.5" long. Scattered soiling/spotting near base.

    Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

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August 13, 2024 10:00 AM PDT
Monrovia, CA, US

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