33

Helen Frankenthaler

1928-2011

"Weeping Crabapple," 2009

Woodcut in colors on Japanese paper
Edition: 24/50
Signed, dated, and numbered in pencil at the lower sheet edge, to the right of center: Frankenthaler / '09; Pace Editions, New York, pub. An ink notation written on the frame's backing board in another hand reads: "They are weeping out of joy and satisfaction that the magic happened again."
Image/Sheet: 25.25" H x 37.25" W

  • Notes:
    According to the Helen Frankenthaler Foundation website, 18 woodblocks were used to create this 31-color woodcut. "Weeping Crabapple" was the artist's final print. It was printed and published just two years before she died.

    Helen Frankenthaler was an influential American painter and printmaker known for her pioneering contributions to Abstract Expressionism and Color Field painting. Born in New York City, she studied at the Dalton School under muralist Rufino Tamayo and also at Bennington College in Vermont before emerging as a leading figure in postwar American art.

    In the early 1950s, Frankenthaler developed her signature "soak-stain" technique, where she thinned oil paints with turpentine and poured them onto unprimed canvas, allowing colors to seep and blend organically. This method profoundly influenced the Color Field movement as well as artists such as Morris Louis and Kenneth Noland.

    In the early 1970s, Frankenthaler began working on woodcut prints. She reimagined the woodcut medium, infusing it with the same sense of spontaneity, fluidity, and luminous color that defined her paintings. Her prints often feature expansive, layered compositions with delicate washes of color, evoking the organic quality of watercolor or her signature soak-stain technique.

    Instead of rigid, sharply defined carvings typical of woodcuts, Frankenthaler worked closely with master printmakers to develop methods that allowed for softer, more painterly effects. She often employed multiple blocks, hand-wiping techniques, and unconventional inking methods to achieve subtle gradients and atmospheric depth.

    "Weeping Crabapple," 2009 exemplifies Frankenthaler's masterful ability to blend abstraction with natural inspiration. The composition features fluid, organic forms with delicate, gestural lines that suggest branches or natural elements. Soft washes of pink, gold, and earthy tones interact with the negative space, creating a sense of depth and movement. The layering of color and texture demonstrates her innovative approach to woodcut printmaking, pushing the medium beyond its traditional boundaries to achieve a luminous, almost watercolor-like effect.
  • Condition: Overall good condition. Two pinpoint-sized foxmarks in the image, one at upper left and the other at upper right. A few other, even smaller and nearly invisible foxmarks near the center of the lower sheet edge. The work is framed floating, hinged to the back mat from the verso of the sheet corners. Not examined out of the frame.

    Framed under Plexiglas: 35" H x 47" W x 2" D


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February 25, 2025 12:00 PM PST
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