23

Roy Lichtenstein

1923-1997

"Modern Head #1," from the "Modern Head" series, 1970

Woodcut in colors on Japanese Hoshi laid paper
Edition: 24/100 (there were also 7 artist's proofs)
Signed, dated, and numbered in pencil in the lower margin: rf Lichtenstein; Gemini G.E.L, Los Angeles, CA, prntr./ pub., and with their blindstamp in the lower margin, at right; with the Gemini G.E.L. ink stamp and work number in pencil, both verso: RL70-243
Image: 20.125" H x 12.5" W; Sheet: 24.25" H x 19.25" W

  • Provenance: Gemini G.E.L., Los Angeles, CA
    The Marmor Family Collection, acquired from the above, November 2, 1969
  • Literature: Corlett 91; Gemini 242; NGA Gemini CR 31.23; RLCR 1876
  • Notes: Roy Lichtenstein's "Modern Head" series, created in the 1970s, stands as a critical dismantling of the history of Modern Art. This series represents a shift in Lichtenstein's approach, moving away from mass-produced imagery towards the appropriation of stylistic conventions and specific works of Modern masters, including Picasso, Monet, Matisse, and Mondrian.

    As a transitional figure between modernism and postmodernism, Lichtenstein recreated versions of Impressionist, Cubist, Art Deco, and German Expressionist works in his signature comic style. Despite the parody inherent in his work, Lichtenstein expressed admiration for the artists he referenced, stating, "The things I have apparently parodied I actually admire."

    The inspiration for the "Modern Head" series came from Alexei von Jawlensky's Constructivist portrait heads exhibited in the 1968 Pasadena Art Museum's Serial Imagery exhibition. Lichtenstein adopted Expressionist motifs from Jawlensky's work, infusing them with his own Pop aesthetic to create original compositions.

    The "Modern Head" series challenges Modern Art by presenting fine art portraits in the style of mass-produced comic illustrations. Drawing on Constructivist and Machine Art methods of depicting human figures with an industrial machine quality, Lichtenstein employed machine printing techniques such as dots and flat colors to create figures reminiscent of media images.

    Each work in the "Modern Head" series was produced using a distinct commercial printing process, including woodcut, lithography, line-cut, embossing, and die-cut paper overlay. The portfolio combines Art Deco and Cubist traditions of flat and curvilinear geometric planes with Lichtenstein's characteristic bright, rich colors and schematic forms. These methods, along with dotted areas and regularized stripes, signify the tone and texture of printed material.


    This lot is accompanied by a copy of the price list and the original print documentation, both from Gemini G.E.L. According to the artist's online catalogue raisonné, this is Lichtenstein's first woodcut with a print publisher and his only work in this medium between 1959 and 1980.
  • Condition: Overall good condition. Full margins and the colors fresh. Slight surface rubbing and a few soft and unobtrusive handling creases in the margins, mostly attendant with the soft Japanese paper chosen by the artist. Some very pale time staining along the extreme upper and left margin edges. Both the upper and lower left margin corners have small tabs of excess paper beyond the full margins which have been gently folded to align with the rest of the margin edges for framing. The sheet is loose, not matted.

    Unframed


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March 26, 2024 12:00 PM PDT
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