86

Titus Kaphar

b. 1976

Untitled, 2004

Mixed media on two boards, framed, as issued
Signed, dated, and illegibly titled on the verso of the larger board: Kaphar; signed and dated again on the verso of the smaller board; 2 pieces
Larger: 14" H x 11" W x 3.5" D; Smaller: 7" H x 9.25" W

  • Provenance: Anno Domini, San Jose, CA
    The Collection of Ralph and Sheila Pickett, acquired from the above, February 6, 2004
  • Notes: This lot is accompanied by a photocopy of the sales receipt from the above-mentioned gallery.

    Titus Kaphar is an acclaimed American contemporary artist known for his innovative approach to addressing the complexities of history, race, and identity through his art. Through painting, installation, performance, sculpture, and film, as well as techniques that often deconstruct both modalities and subject matter, Kaphar delivers saliant and evocative works that challenge traditional national storytelling and ask us to rethink what constitutes "the past" and the narratives we uphold.

    Born in 1976 in Kalamazoo, Michigan, Kaphar grew up in a diverse but challenging environment, which significantly influenced his artistic vision. His introduction to art started in a junior college art history class, and Kaphar taught himself artmaking by visiting museums. He then attended San Jose State University, where he earned his Bachelor of Fine Arts degree. He continued his arts education at Yale School of Art, where he completed his Master of Fine Arts degree in 2006. His time at Yale was pivotal, shaping his understanding of art history and its often exclusionary practices.

    Kaphar's powerful work is characterized by its engagement with historical art forms and subject matter and contemporary issues. He frequently reworks 18th and 19th century classical paintings by adding new elements or altering existing ones to challenge the viewer's perception of history and highlight marginalized or forgotten voices. Some of these techniques include cutting, shredding, and reassembling canvases, as well as incorporating three-dimensional elements that bring depth and a sense of urgency to his subjects. In "Behind the Myth of Benevolence" (2014), Kaphar peels back the canvas of a portrait of Thomas Jefferson to reveal a portrait of Sally Hemings, alluding to the complex history of slavery and power dynamics in the United States. In the work "Absconded from the Household of the President of the United States" (2016), a portrait of George Washington is covered, from the eyes down, in enlarged strips of text taken from slave advertisements held to the canvas by large, rusted nails. In the "Whitewash" series, paintings of Black civil war soldiers, mixed-race couples, and contemporary Black activists and protesters are then covered in streaks of white paint, alluding to purposefully forgotten and suppressed histories. In 2017 during a TED Talk, Kaphar "whitewashed" his painting "Shifting the Gaze" (2017), which was based on "Family Group in a Landscape" (1645–48), by Dutch artist Frans Hals (1580-1666), and portrays a wealthy Dutch family with their African servant. The family group was obscured with white paint, shifting attention entirely to the presence of the young servant.

    The untitled lot in this sale continues Kaphar's practice of highlighting forgotten histories. The work is influenced by Thomas Eakins' piece "Rail Shooting on the Delaware," and the photographs that Eakins often used as references for his painting. The Eakins piece has also been titled "Will Schuster and Blackman Rail Hunting," erasing the identity of the man steering the shallow raft, who is actually Dave Wright, a friend of Eakins'. Here, Kaphar whiteouts Wright's figure from the "photograph," and recreates it on a larger scale on the whiteboard stand. The juxtaposition of the whited-out and recreated figure adds agency to an individual reduced and erased.

    Kaphar's work has been exhibited in numerous prestigious institutions, including the Studio Museum in Harlem, the Seattle Art Museum, and the Brooklyn Museum. He has received several awards and fellowships, such as the MacArthur Fellowship (also known as the "Genius Grant") in 2018, which recognized his innovative contributions to contemporary art and social discourse. In 2020 his painting "Analogous Colors" (2020), graced the cover of TIME Magazine. Kaphar's work is housed in the collections of numerous institutions including the Crystal Bridges Museum of Art, the Detroit Institute of Art, the Art Institute of Chicago, the Met, and the Brooklyn Museum, among others.

    Beyond his studio practice, Kaphar is committed to using art as a tool for social change. He is a co-founder of NXTHVN, a nonprofit arts space in New Haven, Connecticut, where Kaphar lives and continues to produce thought-provoking work. NXTHVN operates as an arts incubator, and provides mentorship, studio space, and professional development to emerging artists and curators, fostering a collaborative and inclusive artistic community.

    Titus Kaphar's work continues to challenge and inspire, prompting viewers to reconsider the narratives embedded in historical and contemporary contexts. His dedication to exploring and revealing the complexities of identity, memory, and history positions him as a transformative figure in the art world. Through his powerful visual language and commitment to social justice, Kaphar not only redefines art but also advocates for a more inclusive and honest representation of our collective past.

    "If we don't amend history by making new images and new representations, we are always going to be excluding ourselves."
    -Titus Kaphar
  • Condition: Overall good condition. A few scattered, faint spots of grime on the smaller board. A 0.75" vertical chip into the lower left edge of the gold frame on the smaller board. Each framed without glazing, as issued.

    Frame of smaller: 7" H x 9.25" W x 1.25" D; Frame of larger: 14" H x 11.25" W x 3.5" D


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August 13, 2024 10:00 AM PDT
Monrovia, CA, US

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